1,99 €
1,99 €
inkl. MwSt.
Sofort per Download lieferbar
payback
0 °P sammeln
1,99 €
1,99 €
inkl. MwSt.
Sofort per Download lieferbar

Alle Infos zum eBook verschenken
payback
0 °P sammeln
Als Download kaufen
1,99 €
inkl. MwSt.
Sofort per Download lieferbar
payback
0 °P sammeln
Jetzt verschenken
1,99 €
inkl. MwSt.
Sofort per Download lieferbar

Alle Infos zum eBook verschenken
payback
0 °P sammeln
  • Format: ePub

In "A Second Book of Operas," Henry Edward Krehbiel delves into the rich tapestry of operatic works that emerged after his first volume, drawing upon both well-known and lesser-explored compositions to illuminate the evolution of opera in the late 19th century. Krehbiel'Äôs literary style combines vibrant prose with meticulous analysis, creating an engaging narrative that balances scholarly rigor with accessibility. The book draws on musical, historical, and cultural contexts, offering readers a comprehensive understanding of key operas, their composers, and the societal influences shaping…mehr

  • Geräte: eReader
  • ohne Kopierschutz
  • eBook Hilfe
  • Größe: 0.67MB
  • FamilySharing(5)
Produktbeschreibung
In "A Second Book of Operas," Henry Edward Krehbiel delves into the rich tapestry of operatic works that emerged after his first volume, drawing upon both well-known and lesser-explored compositions to illuminate the evolution of opera in the late 19th century. Krehbiel'Äôs literary style combines vibrant prose with meticulous analysis, creating an engaging narrative that balances scholarly rigor with accessibility. The book draws on musical, historical, and cultural contexts, offering readers a comprehensive understanding of key operas, their composers, and the societal influences shaping their creation and reception. Henry Edward Krehbiel was a renowned music critic and musicologist whose insights into musical forms greatly contributed to American music literature. His profound knowledge, bolstered by his extensive travels and his interactions with prominent contemporaries, equipped him with a unique perspective on the operatic landscape. Krehbiel'Äôs passion for opera is evident, as he seeks to bridge the gap between music and its broader cultural implications, positioning his works as essential reading for anyone interested in the art form. This book is highly recommended for both opera enthusiasts and scholars alike, as it not only enriches the reader's understanding of operatic history but also inspires deeper appreciation for the masterpieces that continue to resonate today. Krehbiel's thoughtful exploration provides a fresh lens through which to view opera, making it an essential addition to the libraries of both casual readers and committed musicologists.

Dieser Download kann aus rechtlichen Gründen nur mit Rechnungsadresse in A, B, BG, CY, CZ, D, DK, EW, E, FIN, F, GR, H, IRL, I, LT, L, LR, M, NL, PL, P, R, S, SLO, SK ausgeliefert werden.

Autorenporträt
Henry Edward Krehbiel (1854-1923) was an esteemed American music critic and musicologist renowned for his extensive tenure as the principal music critic of The New York Tribune, spanning over four decades. Krehbiel, among Richard Aldrich, Henry Theophilus Finck, W.J. Henderson, and James Huneker, is regarded as a member of the 'Old Guard', a cohort of prominent music critics located in New York who played a pivotal role in establishing a distinctively American approach to criticism. The critic displayed a pronounced inclination towards empiricism, often engaging in the active pursuit of firsthand experiences, accounts, and original sources in his writing. He independently formulated his own findings rather than relying on existing literature by other authors. Krehbiel, being a proponent of meliorism, held the belief that the primary function of criticism was to provide endorsement for music that had the capacity to elevate both the human spirit and intellect. Furthermore, Krehbiel argued that criticism should not only serve as a mechanism for shaping individual preferences, but also as a vehicle for enlightening and instructing the general public. The instructional guide titled "How to Listen to Music," authored by the individual in question, enjoyed significant popularity among the music-consuming public in the United States from 1896 to 1924.