A Space of Their Own explores how nineteenth and twentieth-century women writers incorporated the idea of 'place' into their writing.
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Autorenporträt
Katie Baker was awarded a PhD in English Literature from the University of Chester in 2018. Her research focuses on female sexuality, domesticity and the 'businesswoman' in the work of nineteenth-century women writers. She has published on Elizabeth Gaskell and Margaret Oliphant and is currently an independent researcher. Naomi Walker is a Visiting Lecturer at the University of Chester and an Associate Lecturer at the Open University. Her PhD research was based on the two Shropshire feminist writers, Mary Webb (1881-1927) and Mary Cholmondeley (1859-1925), and she used GIS (Geographical Information Systems) software to plot their lives and works within the Shropshire area.
Inhaltsangabe
Introduction - Dr. Katie Baker and Dr. Naomi Walker Part 1 - Women Writing the Domestic Space Chapter 1 - 'It is home, and I can't put its charm into words' (Elizabeth Gaskell, North and South): Radically Extending Domesticity in Elizabeth Gaskell's North and South Dr. Katie Baker Chapter 2 - 'The Room I sit in': Women's Refashioning of the Drawing-Room in Fin-de-Siècle and Modernist Writing Dr. Emma Liggins Chapter 3 - 'Fleece in the hedge': Domesticity and Depiction among Women Writers of the Interwar Years Dr. Geraldine Perriam Part 2 - Women Writing the Rural Space Chapter 4 - Mountains, Therapy and the Peripatetic Writing Space: Elizabeth le Blond in France and Switzerland in the 1880s Dr. Kathryn Walchester Chapter 5 - Walking and Writing the Rural: Mary Webb and the Shropshire Landscape Dr. Naomi Walker Chapter 6 - Spangin' and Stravaiging: Scottish Women Writers and the Nature of Rural Modernity Helena Duncan Part 3 - Women Writing the Public Space Chapter 7 - 'There's London!': Spatial affects and urban environments in Ella Hepworth Dixon's The Story of a Modern Woman Cigdem Talu Chapter 8 - Utopian spaces, public places: considering the perils and pleasures of crossing domestic thresholds in The Woman's Side and The More I See of Men Dr. Louise McDonald Part 4 - Women Writing New Interpretations of Space Chapter 9 - 'Solitude in any wide scene impressed her with an undefined feeling of immeasurable existence aloof from her' (George Eliot, Daniel Deronda): Lyric Space in Nineteenth-Century Women's Writing. Professor Josie Billington Chapter 10 - R. A. Kartini and the Many Faces of Colonial Female Subject: Domestic Cosmopolitanism in Colonial Indonesia Dr. Silvia Mayasari-Hoffert Chapter 11 - Spatial and Sensory Aesthetics in Virginia Woolf's Orlando (1928) Annie Strausa Conclusion - Dr. Katie Baker and Dr. Naomi Walker
Introduction - Dr. Katie Baker and Dr. Naomi Walker Part 1 - Women Writing the Domestic Space Chapter 1 - 'It is home, and I can't put its charm into words' (Elizabeth Gaskell, North and South): Radically Extending Domesticity in Elizabeth Gaskell's North and South Dr. Katie Baker Chapter 2 - 'The Room I sit in': Women's Refashioning of the Drawing-Room in Fin-de-Siècle and Modernist Writing Dr. Emma Liggins Chapter 3 - 'Fleece in the hedge': Domesticity and Depiction among Women Writers of the Interwar Years Dr. Geraldine Perriam Part 2 - Women Writing the Rural Space Chapter 4 - Mountains, Therapy and the Peripatetic Writing Space: Elizabeth le Blond in France and Switzerland in the 1880s Dr. Kathryn Walchester Chapter 5 - Walking and Writing the Rural: Mary Webb and the Shropshire Landscape Dr. Naomi Walker Chapter 6 - Spangin' and Stravaiging: Scottish Women Writers and the Nature of Rural Modernity Helena Duncan Part 3 - Women Writing the Public Space Chapter 7 - 'There's London!': Spatial affects and urban environments in Ella Hepworth Dixon's The Story of a Modern Woman Cigdem Talu Chapter 8 - Utopian spaces, public places: considering the perils and pleasures of crossing domestic thresholds in The Woman's Side and The More I See of Men Dr. Louise McDonald Part 4 - Women Writing New Interpretations of Space Chapter 9 - 'Solitude in any wide scene impressed her with an undefined feeling of immeasurable existence aloof from her' (George Eliot, Daniel Deronda): Lyric Space in Nineteenth-Century Women's Writing. Professor Josie Billington Chapter 10 - R. A. Kartini and the Many Faces of Colonial Female Subject: Domestic Cosmopolitanism in Colonial Indonesia Dr. Silvia Mayasari-Hoffert Chapter 11 - Spatial and Sensory Aesthetics in Virginia Woolf's Orlando (1928) Annie Strausa Conclusion - Dr. Katie Baker and Dr. Naomi Walker
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