Weaves Jewish sacred texts, mysticism, human rights, and a modern voice of radical love, taking readers on a path of healing from brokenness to wholeness.
This poetry addresses the interconnection of individual, communal, and global trauma, towards collective liberation. In Hebrew, the words for wilderness, speaker, and speaks are spelled the same and share the same root letters. Goodman Herrick's title, from a poem in the collection, references the Torah's BaMidbar (in the wilderness or desert) and her ancestor's ritual practice of elevating etymology, roots, and folk word associations as spiritual meditation. The author returns to her roots and original wholeness through reconnecting language: Wilderness speaks/ A speaker is a wilderness.
Goodman Herrick survived sexual assault in her teens by a classmate, and left home at 14. The grandchild of an Auschwitz survivor, she's been a New York City club kid, MTV writer-producer, a peacemaker around the world, nun at a Vedanta convent, and student of Chassidic rabbis. This expansiveness lives in her poems. The book invites readers to reconsider prayer and blessing as an ongoing, fluid, language, holding space for the reverent and irreverent as prophetic.
This poetry addresses the interconnection of individual, communal, and global trauma, towards collective liberation. In Hebrew, the words for wilderness, speaker, and speaks are spelled the same and share the same root letters. Goodman Herrick's title, from a poem in the collection, references the Torah's BaMidbar (in the wilderness or desert) and her ancestor's ritual practice of elevating etymology, roots, and folk word associations as spiritual meditation. The author returns to her roots and original wholeness through reconnecting language: Wilderness speaks/ A speaker is a wilderness.
Goodman Herrick survived sexual assault in her teens by a classmate, and left home at 14. The grandchild of an Auschwitz survivor, she's been a New York City club kid, MTV writer-producer, a peacemaker around the world, nun at a Vedanta convent, and student of Chassidic rabbis. This expansiveness lives in her poems. The book invites readers to reconsider prayer and blessing as an ongoing, fluid, language, holding space for the reverent and irreverent as prophetic.
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