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  • Format: ePub

MAY 1942
Burma has already fallen, and it seems certain that India must follow. The Allied armies, frantically attempting to regroup, must find a way to halt the westward advance of the Japanese, to gain a few precious hours' respite. The target is Major General Tohutaro Sakurai, Commander of the Japanese Fourteenth Army, mastermind of the Japanese victories from Singapore to the Arakan. For Sakurai alone, if only for a short time, holds the key to the next advance. The method can only be the assassin's bullet or blade.
But secrets are almost impossible to keep in a part of the world
…mehr

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Produktbeschreibung
MAY 1942

Burma has already fallen, and it seems certain that India must follow. The Allied armies, frantically attempting to regroup, must find a way to halt the westward advance of the Japanese, to gain a few precious hours' respite. The target is Major General Tohutaro Sakurai, Commander of the Japanese Fourteenth Army, mastermind of the Japanese victories from Singapore to the Arakan. For Sakurai alone, if only for a short time, holds the key to the next advance. The method can only be the assassin's bullet or blade.

But secrets are almost impossible to keep in a part of the world where fifth columnists and double agents are commonplace. For Captain Peter Lockhart the mission is doomed to failure almost before it has begun. Sakurai and Lockhart are drawn inexorably together on a tightening band of pride and circumstance, and the conclusion is one that neither man can foresee.


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Autorenporträt
Born and raised in Cornwall, Larry Johns has earned a living as a soldier, an artist, a jazz musician, a music lecturer and a writer, circumnavigating the world in these professions many times. He learned the mechanics of his original trade with the Staff Band of the Royal Engineers and at Kneller Hall School of Music. Moving directly to London, he occupied the lead alto saxophone chair with several big bands, whilst jazzing at many nightspots; most notably ; The "100 Club", Oxford Street; the "Allnighter", Soho and "The Bull's Head" at Barnes. At these and other venues he blew jazz shoulder-to-shoulder with Vic Ash, Harry Klein, Brian Dee, Joe Temperley. One of his enduring memories of those heady be-bob days is of swapping "fours" with the legendary vibraphonist Vic Feldman immediately prior to his moving to the U.S. to join the Woody Herman Orchestra. During this period he also played repiano clarinet with an embryonic London Symphonietta and several smaller classical combinations. Latterly, he was one of Charlie Katz's "session men", performing on numerous "hit" (and "not-so-hit") recordings of the day. Later, he worked directly for several recording companies: Decca, H.M.V., Major-Minor, Philips etc. holding the "Artists and Repertoire" position with most. With Mercury records, he fronted various stage bands on promotional tours across Europe and the Far East, working alongside rising stars of the recording world, Phil Coulter and Mike Leander. On the demise of viable big band work worldwide, Larry - along with many of his contemporaries - joined "Geraldo's Navy", and would cross the Atlantic many times - on both "Queens" - haunting the New York jazz scene...For many years to come, during "dry" periods, he would utilise this "jewel" of an employment facility, both for the pocket and for the heart.

His seascapes are sold around the world. When not writing, painting, performing or travelling, he teaches art and woodwind privately in Cornwall. For more details visit his website at: www.holler-it.com