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  • Format: ePub

In his novels, Stefan Zweig does not belittle man as a weak being, and exposes him without mocking him. Rather, he exposes us to the fragility of man and the error of hasty descriptions of his behavior, according to the traditions and customs enacted by society. For example, women in his novels always fall into sin. Does this mean some condemnation of her? In his novel "A Widow in Love," which is one of his most famous works, it mixes in its style between romanticism and impressionism. It contains sentences that describe nature, reading the movement of the hands, their shape, and their…mehr

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Produktbeschreibung
In his novels, Stefan Zweig does not belittle man as a weak being, and exposes him without mocking him. Rather, he exposes us to the fragility of man and the error of hasty descriptions of his behavior, according to the traditions and customs enacted by society. For example, women in his novels always fall into sin. Does this mean some condemnation of her? In his novel "A Widow in Love," which is one of his most famous works, it mixes in its style between romanticism and impressionism. It contains sentences that describe nature, reading the movement of the hands, their shape, and their connection to the human soul, and the feelings associated with the many and shifting emotions, such as fear, love, reverence, rebellion, bullying, and others, and the shortening of life in the face of the beloved, Everything else is inanimate, dead and cold. These details are not lost on Zweig's novels in general, as he masters their craft, and makes them his game with which he transports us to the scene of the narrative event, so that he becomes speaking and heard, and through his action we become more sympathetic to the characters and places first, and to our humanity second and last, and he leaks the past into the present with full presence, to the extent Which makes what is personal the most general.

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