Aboriginal and Torres Strait Islander Art explores the effects of Queensland government policies on urban First Nation artists.
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Autorenporträt
Gretchen M. Stolte is a Berndt Foundation Research Fellow at the University of Western Australia, Australia.
Inhaltsangabe
1. Art and Identity Production 2. Curios and Artefacts: the legacy of QAC 3. The ATSI Art Studio: the development of an Indigenous method 4. The Studio and Artists Today 5. Disciplining the Artist 6. Value Creation and the Market 7. Content Analysis Part I: Indexical Elements 8. Content Analysis Part II: Cultural Content 9. Conclusions
1. Art and Identity Production 2. Curios and Artefacts: the legacy of QAC 3. The ATSI Art Studio: the development of an Indigenous method 4. The Studio and Artists Today 5. Disciplining the Artist 6. Value Creation and the Market 7. Content Analysis Part I: Indexical Elements 8. Content Analysis Part II: Cultural Content 9. Conclusions
1. Art and Identity Production 2. Curios and Artefacts: the legacy of QAC 3. The ATSI Art Studio: the development of an Indigenous method 4. The Studio and Artists Today 5. Disciplining the Artist 6. Value Creation and the Market 7. Content Analysis Part I: Indexical Elements 8. Content Analysis Part II: Cultural Content 9. Conclusions
1. Art and Identity Production 2. Curios and Artefacts: the legacy of QAC 3. The ATSI Art Studio: the development of an Indigenous method 4. The Studio and Artists Today 5. Disciplining the Artist 6. Value Creation and the Market 7. Content Analysis Part I: Indexical Elements 8. Content Analysis Part II: Cultural Content 9. Conclusions
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