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Above the Battle is an anti-world war I treatise by Romain Rolland written in 1916. (Excerpt) A great nation assailed by war has not only its frontiers to protect: it must also protect its good sense. It must protect itself from the hallucinations, injustices, and follies which the plague lets loose. To each his part: to the armies the protection of the soil of their native land; to the thinkers the defence of its thought. If they subordinate that thought to the passions of their people they may well be useful instruments of passion; but they are in danger of betraying the spirit, which is not…mehr

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Produktbeschreibung
Above the Battle is an anti-world war I treatise by Romain Rolland written in 1916. (Excerpt) A great nation assailed by war has not only its frontiers to protect: it must also protect its good sense. It must protect itself from the hallucinations, injustices, and follies which the plague lets loose. To each his part: to the armies the protection of the soil of their native land; to the thinkers the defence of its thought. If they subordinate that thought to the passions of their people they may well be useful instruments of passion; but they are in danger of betraying the spirit, which is not the least part of a people's patrimony. One day History will pass judgment on each of the nations at war; she will weigh their measure of errors, lies, and heinous follies. Let us try and make ours light before her!

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Autorenporträt
Romain Rolland (January 29, 1866 - December 30, 1944) was a French dramatist, novelist, essayist, art historian, and mystic who received the Nobel Prize in Literature in 1915 "as a tribute to the lofty idealism of his literary production and to the sympathy and love of truth with which he has described different types of human beings." He was a key Stalinist supporter in France, and he is also known for his correspondence with and effect on Sigmund Freud. Rolland was born in Clamecy, Nièvre, from a family that included both affluent townpeople and farmers. In his introspective Voyage intérieur (1942), he sees himself as a "antique species" representative. In Colas Breugnon (1919), he would play these forefathers. Accepted into the École Normale Supérieure in 1886, he initially studied philosophy, but his freedom of spirit drove him to forsake it in order to avoid submission to the prevalent ideology. In 1889, he got his bachelor's degree in history and spent two years in Rome, where he met Malwida von Meysenbug, a friend of Nietzsche and Wagner, and discovered Italian masterpieces that shaped his thinking.