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  • Format: ePub

Nothing else comes so I set the notebook beside me. What else is here? I ask myself and listen. This section of stream purls and riffles amid small stones. What word might be made for what I hear . . . Above the Waterfall is the story of Sheriff Les Clary. A man on the verge of retirement, he is plunged into deep and dangerous waters by one final case. A case that will draw him to the lyrical beauty of his surroundings and, in doing so, force him to come to terms with his own past. Echoing the heartbreaking beauty of William Faulkner and the spiritual isolation of Michel Faber, Above the Waterfall is as poetic as it is haunting.…mehr

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Produktbeschreibung
Nothing else comes so I set the notebook beside me. What else is here? I ask myself and listen. This section of stream purls and riffles amid small stones. What word might be made for what I hear . . . Above the Waterfall is the story of Sheriff Les Clary. A man on the verge of retirement, he is plunged into deep and dangerous waters by one final case. A case that will draw him to the lyrical beauty of his surroundings and, in doing so, force him to come to terms with his own past. Echoing the heartbreaking beauty of William Faulkner and the spiritual isolation of Michel Faber, Above the Waterfall is as poetic as it is haunting.

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Autorenporträt
Ron Rash is an award-winning poet, short-story writer and novelist. His novels include The Cove, The World Made Straight and New York Times bestseller and 2009 PEN/Faulkner finalist, Serena, now a major motion picture. He is also the author of several short story collections, including Nothing Gold Can Stay, Burning Bright, winner of the 2010 Frank O'Connor International Short Story Award, and Chemistry and Other Stories, a finalist for the 2008 PEN/Faulkner Award. He lives in the Appalachian Mountains, USA.
Rezensionen
"[T]here's no denying Rash's grasp of the North Carolina landscape and its reflection in the oft-tortured souls of its denizens, making this novel one of his most successful ventures into poetic humanism." Publishers Weekly