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  • Format: ePub

Before the dawn of rock 'n' roll, the accordion ranked among North America's most popular instruments. Nearly every ethnicity on the continent played the squeezebox Irish, Scottish, French, German, Eastern European, Jewish, and Latino. The instrument packed barn dances, jazz clubs, and recital halls. It was heard in cantinas on the Mexican frontier, Creole string bands in New Orleans, and Inuit square dances above the Arctic Circle. Portable, cheap, and loud, accordions became the soundtrack for modernity as the growing music industry exploited them on records, radio, film, and…mehr

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Produktbeschreibung
Before the dawn of rock 'n' roll, the accordion ranked among North America's most popular instruments. Nearly every ethnicity on the continent played the squeezebox Irish, Scottish, French, German, Eastern European, Jewish, and Latino. The instrument packed barn dances, jazz clubs, and recital halls. It was heard in cantinas on the Mexican frontier, Creole string bands in New Orleans, and Inuit square dances above the Arctic Circle. Portable, cheap, and loud, accordions became the soundtrack for modernity as the growing music industry exploited them on records, radio, film, and television.

Millions of people played accordions until a disastrous combination of economics, demographics, and electronic instruments nearly erased them from mainstream culture. Emerging from exile for a new generation, this book invites beginners or seasoned accordionists, and music fans in general to rediscover a forgotten legion of little-known artists. With an eye for colorful characters and a sharp sense of humor, accordion historian Bruce Triggs uncovers the hidden backstory of the squeezebox in everyone's closet. Accordion Revolution is about more than an instrument: it's a living, breathing restoration of the squeezebox to its rightful place at the roots of North America's popular music.


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Autorenporträt
Bruce Triggs spent ten years living with the homeless at the radical Catholic Worker community in Tacoma, Washington. While there he broke his first squeeze-box at the 1999 WTO demonstrations in Seattle. For over a decade he has hosted the Accordion Noir radio program in Vancouver, British Columbia, and was in on the ground floor at the annual Accordion Noir Festival. After meeting many fabulous accordion players, Bruce decided to write about the instrument rather than learn to play it. He now lives alone in a bachelor pad surrounded by broken accordions. (These things may be related.) Amidst all this he has co-parented delightful and talented twins with their queer moms, an extended family, and their cranky rescue cat.