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This collection presents, for the first time in English, Jean-Francois Lyotard's major essays on film: 'Acinema', 'The Unconscious as Mise-en-scene', 'Two Metamorphoses of the Seductive in Cinema' and 'The Idea of a Sovereign Film'. Then, eight critical essays by philosophers and film theorists examine Lyotard's film work and influence across two sections: 'Approaches and Interpretations' and 'Applications and Extensions'. These works are complemented by an introductory essay by leading French scholar Jean-Michel Durafour on Lyotard's film-philosophy, an overview of Lyotard's practical film…mehr

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Produktbeschreibung
This collection presents, for the first time in English, Jean-Francois Lyotard's major essays on film: 'Acinema', 'The Unconscious as Mise-en-scene', 'Two Metamorphoses of the Seductive in Cinema' and 'The Idea of a Sovereign Film'. Then, eight critical essays by philosophers and film theorists examine Lyotard's film work and influence across two sections: 'Approaches and Interpretations' and 'Applications and Extensions'. These works are complemented by an introductory essay by leading French scholar Jean-Michel Durafour on Lyotard's film-philosophy, an overview of Lyotard's practical film projects written by his collaborators Claudine Eizykman and Guy Fihman, and the synopsis for a later film project Memorial Immemorial, which Lyotard proposed but was not produced. Jean-Francois Lyotard was the most significant aesthetician of the poststructuralist generation, but this dimension of his thought is only recently beginning to receive the attention it deserves in the English-speaking world. He devoted a number of essays to film, and was involved in making several experimental short films. Lyotard's reflections on film offer a perspective which seeks to do justice to it as an art by focusing on its aesthetic, material qualities. His work in this area remains a largely untapped resource, with the potential for inaugurating exciting new directions in film-philosophy.

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Autorenporträt
Graham Jones is Lecturer in Creative Writing, Literary Studies and Media and Communications at Federation University, Australia. He is the author of Lyotard Reframed (I.B.Tauris, 2013), co-author of Deleuze's Philosophical Lineage (Edinburgh University Press, 2009) and Deleuze's Philosophical Lineage II (Edinburgh University Press, 2019), and co-editor of Acinemas: Lyotard's Philosophy of Film (Edinburgh University Press, 2017). His research interests include French poststructuralist philosophy, phenomenology and cybernetics. Ashley Woodward is Lecturer in Philosophy at the University of Dundee and is a founding member of the Melbourne School of Continental Philosophy. He is the author and editor of a number of books, including Lyotard and the Inhuman Condition: Reflections on Nihilism, Information and Art (Edinburgh University Press, 2016), Gilbert Simondon: Being and Technology (Edinburgh University Press, 2012) and Nihilism in Postmodernity: Lyotard, Baudrillard, Vattimo (The Davies Group, 2009).