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Acoustic Justice engages issues of recognition and misrecognition by mobilizing an acoustic framework. From the vibrational intensities of common life to the rhythm of bodies in movement, and drawing from his ongoing work on sound and agency, Brandon LaBelle positions acoustics, and the broader experience of listening, as a dynamic means for fostering responsiveness, understanding, dispute, and the work of reorientation. As such, acoustic justice emerges as a compelling platform for engaging struggles over the right to speak and to be heard that extends toward a broader materialist and…mehr
Acoustic Justice engages issues of recognition and misrecognition by mobilizing an acoustic framework. From the vibrational intensities of common life to the rhythm of bodies in movement, and drawing from his ongoing work on sound and agency, Brandon LaBelle positions acoustics, and the broader experience of listening, as a dynamic means for fostering responsiveness, understanding, dispute, and the work of reorientation. As such, acoustic justice emerges as a compelling platform for engaging struggles over the right to speak and to be heard that extends toward a broader materialist and planetary view. This entails critically addressing questions of space, borders, community, and the acoustic norms defining capacities of listening, leading to what LaBelle terms "poetic ecologies of resonance." Acoustic Justice works at issues of recognition and resistance, place and displacement, by moving across a range of pertinent references and topics, from social practices and sound art to the performativity of skin and the poetics of Deaf voice. Through such transversality, LaBelle captures acoustics as the basis for strategies of refusal and repair.
Brandon LaBelle is an artist, writer and artistic director of The Listening Biennial and related Listening Academy. His work focuses on questions of agency, community, and poetics, which results in a range of collaborative and extra-institutional initiatives. In 1995 he founded Errant Bodies Press, an independent publishing project. His publications include: Dreamtime X (2022), Acoustic Justice (Bloomsbury 2021), The Other Citizen (2020), Sonic Agency (2018), Lexicon of the Mouth (Bloomsbury 2014), Acoustic Territories (Bloomsbury 2010, 2019), and Background Noise (Bloomsbury 2006, 2015).
Inhaltsangabe
1. Holding Healing Attending: Towards Collaborative Living 2. Acoustic Performativity: Practices of Composition 3. Poetic Ecologies: Resonance Imagination Repair 4. Skin-Work: Queer Acoustics Borderspaces Economies of Desire 5. Deaf Attention: Peripheral Visions Spatial Meanings Sensory Politics 6. Acoustic Support
