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Comedy has been a constant presence in the history of Catalan theatre, but it is rarely recognized as a separate generic identity, worthy of academic study as a whole. This volume is the first concentrated attempt to analyse Catalan theatre under the comic lens, with essays in English and Catalan. It studies comic form, performative innovation, and socio-political function. As well as providing detailed analyses of figures excluded from standard accounts, it makes a strong case for the originality of many authors, directors, and actors. This is definitely another realm in which the Catalan…mehr
Comedy has been a constant presence in the history of Catalan theatre, but it is rarely recognized as a separate generic identity, worthy of academic study as a whole. This volume is the first concentrated attempt to analyse Catalan theatre under the comic lens, with essays in English and Catalan. It studies comic form, performative innovation, and socio-political function. As well as providing detailed analyses of figures excluded from standard accounts, it makes a strong case for the originality of many authors, directors, and actors. This is definitely another realm in which the Catalan contribution to European culture needs to be acknowledged and appreciated. Moreover, the book provides an exceptional platform on which theatre is considered - within the same project - from several regions where Catalan is spoken: Spanish Catalonia, the Valencia region, and different towns in French Catalonia.
La hilaritat sempre ha tingut una presència molt important en l'evolució del teatre català, tot i que rarament ha comptat amb un estudi i reconeixement acadèmics. Aquest volum proposa una anàlisi de diverses formes d'humor de l'escena catalana, amb una selecció d'assaigs en anglès i català d'experts de diferents universitats. S'hi examinen algunes propostes de comicitat, innovacions performatives i la projecció sociopolítica d'aquesta jocositat. També s'hi estudia l'originalitat d'un conjunt d'autors, directors i actors al marge de l'humor políticament correcte. Sens dubte, un altre àmbit, el de riure, en el qual cal reconèixer i posar en valor la contribució catalana a la cultura europea. El llibre constitueix un cas rar on es considera el teatre -dins d'un mateix projecte- de diversos espais geogràfics on es parla català: Catalunya (sobretot Barcelona), el País Valencià i diferents pobles del Rosselló.
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Autorenporträt
John London is Professor of Hispanic Studies and Director of the Centre for Catalan Studies at Queen Mary University of London. Gabriel Sansano is Professor of Catalan Studies at the University of Alacant (Spain).
Inhaltsangabe
Contents: Reception and Influences - David George: Comic and Catalan?: The Commedia dell'Arte in Catalonia in the Twentieth and Twenty-First Centuries - Maria Moreno i Domènech: Primera història d'Esther i La corte del rey Assuero [The (First) Story of Esther and The Court of King Ahasuerus] - Enric Gallén: Dario Fo a Catalunya: el cas de Mort accidental d'un anarquista [Dario Fo in Catalonia: The Case of Accidental Death of an Anarchist] - Héctor Mellinas: Humor i absurd: escenes brossianes [Humour and the Absurd: Brossian Theatres] - Textual Strategies - Rhiannon McGlade - Beyond Carpanta: Humour in the Plays of Josep Escobar - John London: Comedy in French Catalonia: Adventures in Mockery and Self-Mockery - Isabel Marcillas-Piquer: Strategies for Comedy in Plays by Contemporary Catalan Women - Acting Humour - Núria Santamaria: Joaquim Montero i Delgado, trànsits i cruïlles [Joaquim Montero i Delgado: Passages and Intersections] - Simon Breden: Power, Politics, and Comic Theatre: Political Satire as Dissidence in La torna and Ubú president by Els Joglars - Martí B. Fons Sastre: La influència de la pedagogia de Jacques Lecoq dins l'escena còmica catalana contemporània: la dramatúrgia de l'actor de Sergi López i Toni Albà [The Pedagogical Influence of Jacques Lecoq on the Contemporary Catalan Stage: The Acting Dramaturgy of Sergi López and Toni Albà] Gabriel Sansano: Xavi Castillo i Pot de Plom: entre la transgressió i la sàtira política (1985-2015) [Xavi Castillo and Pot de Plom: Between Transgression and Political Satire (1985-2015)].
Contents: Reception and Influences - David George: Comic and Catalan?: The Commedia dell'Arte in Catalonia in the Twentieth and Twenty-First Centuries - Maria Moreno i Domènech: Primera història d'Esther i La corte del rey Assuero [The (First) Story of Esther and The Court of King Ahasuerus] - Enric Gallén: Dario Fo a Catalunya: el cas de Mort accidental d'un anarquista [Dario Fo in Catalonia: The Case of Accidental Death of an Anarchist] - Héctor Mellinas: Humor i absurd: escenes brossianes [Humour and the Absurd: Brossian Theatres] - Textual Strategies - Rhiannon McGlade - Beyond Carpanta: Humour in the Plays of Josep Escobar - John London: Comedy in French Catalonia: Adventures in Mockery and Self-Mockery - Isabel Marcillas-Piquer: Strategies for Comedy in Plays by Contemporary Catalan Women - Acting Humour - Núria Santamaria: Joaquim Montero i Delgado, trànsits i cruïlles [Joaquim Montero i Delgado: Passages and Intersections] - Simon Breden: Power, Politics, and Comic Theatre: Political Satire as Dissidence in La torna and Ubú president by Els Joglars - Martí B. Fons Sastre: La influència de la pedagogia de Jacques Lecoq dins l'escena còmica catalana contemporània: la dramatúrgia de l'actor de Sergi López i Toni Albà [The Pedagogical Influence of Jacques Lecoq on the Contemporary Catalan Stage: The Acting Dramaturgy of Sergi López and Toni Albà] Gabriel Sansano: Xavi Castillo i Pot de Plom: entre la transgressió i la sàtira política (1985-2015) [Xavi Castillo and Pot de Plom: Between Transgression and Political Satire (1985-2015)].
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