Actors and Icons of the Ancient Theater examines actors and their popular reception from the origins of theater in Classical Greece to the Roman Empire * Presents a highly original viewpoint into several new and contested fields of study * Offers the first systematic survey of evidence for the spread of theater outside Athens and the impact of the expansion of theater upon actors and dramatic literature * Addresses a study of the privatization of theater and reveals how it was driven by political interests * Challenges preconceived notions about theater history
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"Csapo's book covers an impressive range of different topics andperiods in ancient theatrical history." (Times Literary Supplement,8 July 2011)
"No scholar of the ancient theater can afford to ignore thearguments put forward in this stimulating and exciting book." (BrynMawr Classical Review, 1 April 2011)
"Csapo provides an excellent collection of Oxford lectures (allrevised) that rehearse and challenge old evidence and preconceivedtheories on the history and image of actors from classical Greeceto early imperial Rome...What sets this book apart from similarwork is its superb collection and socioeconomic study of extantancient artifacts. This is a fascinating read of the ancient worldand the dynamic relationships between its theatre, politics, andpopular culture." (CHOICE, January 2011)
"Actors and Icons is a compelling account of the development ofacting in antiquity, taking actors all the way from adjuncts(hypokritai who 'answer' the chorus), to famous, favouredmembers of the imperial circle." (Scholia Reviews, 1 October2010)"Eric Csapo has ferreted out an extraordinary quantity ofunderappreciated evidence, which he pulls together to produce ahighly original and convincing history of actors and acting in theancient world. Essential reading for understanding the wholecontext of the great achievements of ancient Greek tragedy andcomedy."
Oliver Taplin, Oxford University
"With an excellent command of the many kinds of evidence, E. Csapofocuses on the actor's image. He gives us a fascinating newhistory of the ancient theater."
Brigitte Le Guen, Paris 8 University
"An enthralling read. Nobody brings the world of the ancienttheatre alive like Eric Csapo. From the ways Greek actors reducedtheir audiences to tears or helpless laughter to the economic andpolitical importance of the Roman entertainment industry, he seesvivid details that pass other scholars by. The range of newevidence and insights is breathtaking. Compulsory reading for allhistorians of ancient theatre, society or culture."
Edith Hall, Royal Holloway University of London
"No scholar of the ancient theater can afford to ignore thearguments put forward in this stimulating and exciting book." (BrynMawr Classical Review, 1 April 2011)
"Csapo provides an excellent collection of Oxford lectures (allrevised) that rehearse and challenge old evidence and preconceivedtheories on the history and image of actors from classical Greeceto early imperial Rome...What sets this book apart from similarwork is its superb collection and socioeconomic study of extantancient artifacts. This is a fascinating read of the ancient worldand the dynamic relationships between its theatre, politics, andpopular culture." (CHOICE, January 2011)
"Actors and Icons is a compelling account of the development ofacting in antiquity, taking actors all the way from adjuncts(hypokritai who 'answer' the chorus), to famous, favouredmembers of the imperial circle." (Scholia Reviews, 1 October2010)"Eric Csapo has ferreted out an extraordinary quantity ofunderappreciated evidence, which he pulls together to produce ahighly original and convincing history of actors and acting in theancient world. Essential reading for understanding the wholecontext of the great achievements of ancient Greek tragedy andcomedy."
Oliver Taplin, Oxford University
"With an excellent command of the many kinds of evidence, E. Csapofocuses on the actor's image. He gives us a fascinating newhistory of the ancient theater."
Brigitte Le Guen, Paris 8 University
"An enthralling read. Nobody brings the world of the ancienttheatre alive like Eric Csapo. From the ways Greek actors reducedtheir audiences to tears or helpless laughter to the economic andpolitical importance of the Roman entertainment industry, he seesvivid details that pass other scholars by. The range of newevidence and insights is breathtaking. Compulsory reading for allhistorians of ancient theatre, society or culture."
Edith Hall, Royal Holloway University of London