- Comprises 16 newly-commissioned essays written by a distinguished group of contributors, including Slavoj Zizek and Frederic Jameson
- Provides the historical, cultural, intellectual, and literary contexts necessary to understand developments in realism
- Addresses the artistic mediums and technologies such as painting and film that have helped shape the way we perceive reality
- Explores literary and pictorial sub-genres, such as naturalism and socialist realism
- Includes a brief bibliography and suggestions for further reading at the end of each section
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Kate Flint, Rutgers University
"Every new generation of critics and scholars must come to termsin its own ways with the paradoxes of realism. Realism is a periodstyle, but at the same time it is a perennial motive in literature,art, film, and other media. Realism purports to represent things asthey are, or were, but at the same time it is a constitutive set ofconventions that tells people in a given time and place what is tobe taken as real. This distinguished collection of essaysbrilliantly articulates these paradoxes for our own time."
J.Hillis Miller, University of California at Irvine
"What a wonderfully wide and deep and pushing inspection ofrealisms (and irrealisms) in history, in theory, in practice.Here's realism, then and now, cannily philosophized,politicized, feminized, psychologized. Here are so many ofrealism's practitioners, its aesthetic friends and enemies,the missionaries and also the scoffers, being heard and watched asthey engage with their chosen media - novels, plays,paintings, photographs, films, buildings. It is, I think, asserious, engaging, educating a look at the large realist project ascould well be assembled."
Valentine Cunningham, Corpus Christi College, Oxford
"Beaumont's introduction, 'Reclaiming Realism,' pinpointsthe purpose of this collection. Realism fell victim to postmoderndiscourse; Beaumont and his fellow contributors wish to restoreit."
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