Benedetto Croce is one of the most influential philosophers of the twentieth century
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I: Theory of Æsthetic I: Intuition and Expression II: Intuition and Art III: Art and Philosophy IV: Historicism and Intellectualism in Æsthetic V: Analogous Errors in the Theory of History and in Logic VI: The Theoretic Activity and the Practical Activity VII: Analogy Between the Theoretic and the Practical VIII: Exclusion of Other Spiritual Forms IX: Indivisibility of Expression Into Modes or Degrees and Criticism of Rhetoric X: Æsthetic Feelings and the Distinction Between the Beautiful and the Ugly XI: Criticism of Æsthetic Hedonism XII: The Æsthetic of the Sympathetic and Pseudo-Æsthetic Concepts XIII: The "Physically Beautiful" in Nature and in Art XIV: Errors Arising from the Confusion Between Physics and Æsthetic XV: The Activity of Externalization. Technique and the Theory of the Arts XVI: Taste and the Reproduction of Art XVII: The History of Literature and Art XVIII: Conclusion: Identity of Linguistic and Æsthetic II: History of Æsthetic I: Æsthetic Ideas in GræCo-Roman Antiquity II: Æesthetic Ideas in the Middle Ages and Renaissance III: Ferments of Thought in the Seventeenth Century IV: Æesthetic Ideas in the Cartesian and Leibnitian Schools, And the "Æsthetic" of Baumgarten V: Giambattista Vico VI: Minor Æsthetic Doctrines of the Eighteenth Century VII: Other Æsthetic Doctrines of the Same Period VIII: Immanuel Kant IX: The Æsthetic of Idealism: Schiller, Schelling, Solger, Hegel X: Schopenhauer and Herbart XI: Friedrich Schleiermacher XII: The Philosophy of Language: Humboldt and Steinthal XIII: Minor German Æstheticians XIV: Æsthetic in France, England and Italy During the First Half of the Nineteenth Century XV: Francesco De Sanctis XVI: Æsthetic of the Epigoni XVII: Æsthetic Positivism and Naturalism XVIII: Æsthetic Psychologism and Other Recent Tendencies XIX: Historical Sketches of Some Particular Doctrines I: Rhetoric: Or the Theory of Ornate Form II: History of the Artistic and Literary Kinds III: The Theory of the Limits of the Arts IV: Other Particular Doctrines Bibliographical Appendix
I: Theory of Æsthetic I: Intuition and Expression II: Intuition and Art III: Art and Philosophy IV: Historicism and Intellectualism in Æsthetic V: Analogous Errors in the Theory of History and in Logic VI: The Theoretic Activity and the Practical Activity VII: Analogy Between the Theoretic and the Practical VIII: Exclusion of Other Spiritual Forms IX: Indivisibility of Expression Into Modes or Degrees and Criticism of Rhetoric X: Æsthetic Feelings and the Distinction Between the Beautiful and the Ugly XI: Criticism of Æsthetic Hedonism XII: The Æsthetic of the Sympathetic and Pseudo-Æsthetic Concepts XIII: The "Physically Beautiful" in Nature and in Art XIV: Errors Arising from the Confusion Between Physics and Æsthetic XV: The Activity of Externalization. Technique and the Theory of the Arts XVI: Taste and the Reproduction of Art XVII: The History of Literature and Art XVIII: Conclusion: Identity of Linguistic and Æsthetic II: History of Æsthetic I: Æsthetic Ideas in GræCo-Roman Antiquity II: Æesthetic Ideas in the Middle Ages and Renaissance III: Ferments of Thought in the Seventeenth Century IV: Æesthetic Ideas in the Cartesian and Leibnitian Schools, And the "Æsthetic" of Baumgarten V: Giambattista Vico VI: Minor Æsthetic Doctrines of the Eighteenth Century VII: Other Æsthetic Doctrines of the Same Period VIII: Immanuel Kant IX: The Æsthetic of Idealism: Schiller, Schelling, Solger, Hegel X: Schopenhauer and Herbart XI: Friedrich Schleiermacher XII: The Philosophy of Language: Humboldt and Steinthal XIII: Minor German Æstheticians XIV: Æsthetic in France, England and Italy During the First Half of the Nineteenth Century XV: Francesco De Sanctis XVI: Æsthetic of the Epigoni XVII: Æsthetic Positivism and Naturalism XVIII: Æsthetic Psychologism and Other Recent Tendencies XIX: Historical Sketches of Some Particular Doctrines I: Rhetoric: Or the Theory of Ornate Form II: History of the Artistic and Literary Kinds III: The Theory of the Limits of the Arts IV: Other Particular Doctrines Bibliographical Appendix
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