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What do we do when we view a work of art? What does it mean to have an "aesthetic" experience? Are such experiences purely in the eye (and brain) of the beholder? Such questions have entertained philosophers for millennia and psychologists for over a century. More recently, with the advent of functional neuroimaging methods, a handful of ambitious brain scientists have begun to explore the neural correlates of such experiences. This book offers an introduction to the way art is perceived, interpreted, and felt and approaches these mindful events from a multidisciplinary perspective.
What do we do when we view a work of art? What does it mean to have an "aesthetic" experience? Are such experiences purely in the eye (and brain) of the beholder? Such questions have entertained philosophers for millennia and psychologists for over a century. More recently, with the advent of functional neuroimaging methods, a handful of ambitious brain scientists have begun to explore the neural correlates of such experiences. This book offers an introduction to the way art is perceived, interpreted, and felt and approaches these mindful events from a multidisciplinary perspective.
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Autorenporträt
Arthur P. Shimamura is Professor of Psychology at the University of California, Berkeley. He investigates human memory and cognition using neuroimaging techniques and by studying individuals with memory disorders. Dr. Shimamura is a founding member of the Society for Cognitive Neuroscience, has been a scientific advisor for the San Francisco Exploratorium Science Museum, and received a John Simon Guggenheim Fellowship to explore art, aesthetics, and brain. Stephen E. Palmer, is Professor of Psychology at the University of California, Berkeley. His research and teaching focus is on visual perception, a topic closely related to his color photography. He is the author of Vision Science: Photons to Phenomenology, an advanced, interdisciplinary textbook on visual perception.
Inhaltsangabe
* Introduction * 1. Toward a Science of Aesthetics: Ideas and Issues * Arthur P. Shimamura * Part I: Philosophical Perspectives * 2. The Philosophy of Art and Aesthetics, Psychology, and Neuroscience: Studies in Literature, Visual Arts, and Music * Noël Carroll, Margaret Moore, and William P. Seeley * 3. Aesthetic Theory and Aesthetic Science: Prospects for Integration * Vincent Bergeron and Dominic McIver Lopes * 4. Triangulating Aesthetic Experience * Murray Smith * 5. Art and the Anthropologists * Gregory Currie * 6. Aesthetic Science and Artistic Knowledge * Blake Gopnik * Part II: Psychological Perspectives * 7. Empirical Investigation of an Aesthetic Experience with Art * Paul J. Locher * 8. Hidden Knowledge in Aesthetic Judgments: Preferences for Colors and Spatial Compositions * Stephen E. Palmer, Karen B. Schloss, and Jonathan S. Gardner * 9. Processing Fluency, Aesthetic Pleasure, and Culturally Shared Taste * Rolf Reber * 10. Human Emotions and Aesthetic Experience * Paul J. Silvia * 11. Artistic Development: The Three Essential Spheres * Kimberly M. Sheridan and Howard Gardner * Part III: Neuroscience Perspectives * 12. Neuroaesthetics: Growing Pains of a New Discipline * Anjan Chatterjee * 13. The Modularity of Aesthetic Processing and Perception in the Human Brain: Functional Neuroimaging Studies of Neuroaesthetics * Ulrich Kirk * 14. Art Compositions Elicit Distributed Activation in the Human Brain * Alumit Ishai * 15. A Cognitive and Behavioral Neurological Approach to Aesthetics * Zachary A. Miller and Bruce L. Miller * 16. Neurology of Visual Aesthetics: Indian Nymphs, Modern Art, and Sexy Beaks * V. S. Ramachandran and Elizabeth Seckel
* Introduction * 1. Toward a Science of Aesthetics: Ideas and Issues * Arthur P. Shimamura * Part I: Philosophical Perspectives * 2. The Philosophy of Art and Aesthetics, Psychology, and Neuroscience: Studies in Literature, Visual Arts, and Music * Noël Carroll, Margaret Moore, and William P. Seeley * 3. Aesthetic Theory and Aesthetic Science: Prospects for Integration * Vincent Bergeron and Dominic McIver Lopes * 4. Triangulating Aesthetic Experience * Murray Smith * 5. Art and the Anthropologists * Gregory Currie * 6. Aesthetic Science and Artistic Knowledge * Blake Gopnik * Part II: Psychological Perspectives * 7. Empirical Investigation of an Aesthetic Experience with Art * Paul J. Locher * 8. Hidden Knowledge in Aesthetic Judgments: Preferences for Colors and Spatial Compositions * Stephen E. Palmer, Karen B. Schloss, and Jonathan S. Gardner * 9. Processing Fluency, Aesthetic Pleasure, and Culturally Shared Taste * Rolf Reber * 10. Human Emotions and Aesthetic Experience * Paul J. Silvia * 11. Artistic Development: The Three Essential Spheres * Kimberly M. Sheridan and Howard Gardner * Part III: Neuroscience Perspectives * 12. Neuroaesthetics: Growing Pains of a New Discipline * Anjan Chatterjee * 13. The Modularity of Aesthetic Processing and Perception in the Human Brain: Functional Neuroimaging Studies of Neuroaesthetics * Ulrich Kirk * 14. Art Compositions Elicit Distributed Activation in the Human Brain * Alumit Ishai * 15. A Cognitive and Behavioral Neurological Approach to Aesthetics * Zachary A. Miller and Bruce L. Miller * 16. Neurology of Visual Aesthetics: Indian Nymphs, Modern Art, and Sexy Beaks * V. S. Ramachandran and Elizabeth Seckel
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