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"Aesthetics and Politics in the Mexican Film Industry draws on Misha MacLaird's extensive knowledge and first-hand research to make a compelling argument for thinking about recent Mexican cinema and its aesthetic and narrative elements including successes like Amores perros, Y tu mamá también, and El crimen del Padre Amaro as the product of profound political and economic changes. Through analysis of formal elements, industry practices, and legislation, MacLaird skillfully examines the ways in which cultural policy, censorship and the inequities of trade liberalization in Mexico and the rest of the Americas have shaped Mexico's film industry and film texts at the turn of the twenty first century. This book is essential reading for anyone interested in contemporary Mexican cinema." - Dolores Tierney, University of Sussex, UK, author of Emilio Fernández: Pictures in the Margins
"Misha Maclaird discusses Mexican nationalcinema in terms of cultural policy, wider public policy, foreign policy, and meaning. Elegant and purposeful, this is an important book, not only for the study of Latin American and especially Mexican film but for the entire discipline of cinema studies." - Toby Miller, University of California, Riverside, USA