'Aesthetics and the Cinematic Narrative' provides a concise historical survey of Aesthetics as a philosophical discipline and applies several of its underlying principles to the examination of filmic storytelling. The book's four chapters codify working definitions of the relevant terms and concepts, employing specific case studies to illustrate how certain aesthetic stratagems govern a film's structural design and execution. By drawing connections between the technical/creative decisions filmmakers must make and more time-honoured traditions regarding the nature of art, the structures of storytelling and the import of visual imagery, 'Aesthetics and the Cinematic Narrative' helps recontextualize film within a wider sphere of artistic/intellectual endeavour. The book is a useful and much-needed addition to the pre-existing canon for students of visual storytelling and for general readers.
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