This anthology of fourteen essays, each addressing a single key concept or pair of terms in the aesthetics of music, serves as an authoritative work on musical aesthetics that addresses both central as well as somewhat neglected topics and issues in the field. Each essay covers historical origins, sources, and developments of the chosen idea, surveys important musicological approaches, and offers new critical angles or musical case studies in interpretation, supported by a wealth of musical examples from works in the 18th, 19th, and into the 20th century.
Dieser Download kann aus rechtlichen Gründen nur mit Rechnungsadresse in A, B, BG, CY, CZ, D, DK, EW, E, FIN, F, GR, HR, H, IRL, I, LT, L, LR, M, NL, PL, P, R, S, SLO, SK ausgeliefert werden.
"The collection is welcome particularly for the variety of the subjects it includes and the depth of the treatments. The preface and introduction provide an organized entry into the essays: the editor explains the motives behind his editing of the collection and provides synopses of the 14 essays that follow...This volume is suitable for those researching musical aesthetics or philosophy. Summing Up: Recommended." --J. E. Wickell, Western Washington University, CHOICE
"The collection is welcome particularly for the variety of the subjects it includes and the depth of the treatments. The preface and introduction provide an organized entry into the essays: the editor explains the motives behind his editing of the collection and provides synopses of the 14 essays that follow...This volume is suitable for those researching musical aesthetics or philosophy. Summing Up: Recommended." --J. E. Wickell, Western Washington University, CHOICE