African American Literature in Transition, 1920-1930: Volume 9 (eBook, ePUB)

Redaktion: Thaggert, Miriam

• Format: ePub

Produktbeschreibung

This book analyses historical, literary, and cultural shifts in African American literature from the 1920s-1930s.

---

Dieser Download kann aus rechtlichen Gründen nur mit Rechnungsadresse in A, B, BG, CY, CZ, D, DK, EW, E, FIN, F, GR, HR, H, IRL, I, LT, L, LR, M, NL, PL, P, R, S, SLO, SK ausgeliefert werden.

Produktdetails

• Verlag: Cambridge University Press
• Erscheinungstermin: 28. Februar 2022
• Englisch
• ISBN-13: 9781108998260
• Artikelnr.: 66183054

Inhaltsangabe

Introduction: Expecting more: African American literature in transition,
1920-30 Miriam Thaggert and Rachel Farebrother; Part I. Habitus, Sound,
Fashion: 1. New Negro literary décor: Competing tastes in 1920s Cherene
Sherrard-Johnson; 2. The new Negro movement's recording imaginary Sonnet
Retman; 3. Sartorial self-fashioning in the Harlem renaissance Kimberly
Lamm; Part II. Space: Chronicles of Harlem and Beyond: 4. Going Dutch: From
renaissance Haarlem to the Harlem renaissance Michael Soto; 5. The unmaking
of the new Mecca Shannon King; 6. Subversions of Boasian objectivity in
Zora Neale Hurston's great migration fiction and ethnography M. Genevieve
West; 7. W. E. B. Du Bois and the fluid subject: Dark princess and the
splendid transnational in the Harlem renaissance Inés Valdez; Part III.
'Uplift' Renewed: Religion, Protest and Education: 8. 'The sinful babel of
the airshaft': Rudolph fisher's fiction and religion, urban space and
modernity in the Harlem renaissance Rachel Farebrother; 9. Marcus Garvey:
Popular culture and black liberation Heather D. Russell; 10. Progression or
reversion of the black race?: Historically black colleges in Nella Larsen's
Quicks and Angela Watkins; Part IV. Serial Reading: Magazines and
Periodical Culture: 11. The midnight motion picture company goes to Europe:
The Harlem renaissance and global white supremacy Adam McKible; 12. African
American magazine modernism John K. Young.