Ann F. Howey

eBook, PDF

Afterlives of the Lady of Shalott and Elaine of Astolat (eBook, PDF)

Beschreibung

This book investigates adaptations of The Lady of Shalott and Elaine of Astolat in Victorian and post-Victorian popular culture to explore their engagement with medievalism, social constructions of gender, and representations of the role of art in society. Although the figure of Elaine first appeared in medieval texts, including Malory's Le Morte Darthur, Tennyson's poems about the Lady and Elaine drew unprecedented response from musicians, artists, and other authors, whose adaptations in some cases inspired further adaptations. With chapters on music, art, and literature (including parody, young people's literature, and historical fiction and fantasy), this book seeks to trace the evolution of these characters and the ways in which they reinforce or challenge conventional gender roles, represent the present's relationship to the past, and highlight the power of art.

Technische Details

• Geräte: PC
• ohne Kopierschutz
• Größe: 4.58MB

Barrierefreiheit

• Text-to-Speech

Autor

Ann F. Howey is Associate Professor at Brock University in St. Catharines, Ontario, Canada, where she researches and teaches in the areas of Arthurian popular culture, young people's literature, and speculative fiction, with a special interest in adaptation and medievalism. She has previously published Rewriting the Women of Camelot (2001) and co-authored, with Stephen R. Reimer, A Bibliography of Modern Arthuriana 1500-2000 (2006).

Produktdetails

• Verlag: Springer International Publishing
• Seitenzahl: 324
• Erscheinungstermin: 31. Juli 2020
• Englisch
• ISBN-13: 9783030476908
• Artikelnr.: 59903674

Rezensionen

"Howey has created a very original, far-reaching, closely examined, and intricately argued book. I was very impressed by many aspects of her study, such as the detailed tables listing pre-1920 sheet music of songs based on Tennyson's Arthurian poems. Also impressive is her own musical expertise in the explanation of the very modern performance techniques of female soloists. ... I greatly enjoyed ... ." (Roger Simpson, Arthuriana, Vol. 31 (2), 2021)