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Against Nature by Joris-Karl Huysmans is a novel in which very little happens; its narrative concentrates almost entirely on its principal character, and is mostly a catalogue of the tastes and inner life of Jean Des Esseintes, an eccentric, reclusive aesthete and antihero, who loathes 19th century bourgeois society and tries to retreat into an ideal artistic world of his own creation. Against Nature contains many themes which became associated with the Symbolist aesthetic. In doing so, it broke from naturalism and became the ultimate example of decadent literature. Jean Des Esseintes is the…mehr

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Produktbeschreibung
Against Nature by Joris-Karl Huysmans is a novel in which very little happens; its narrative concentrates almost entirely on its principal character, and is mostly a catalogue of the tastes and inner life of Jean Des Esseintes, an eccentric, reclusive aesthete and antihero, who loathes 19th century bourgeois society and tries to retreat into an ideal artistic world of his own creation. Against Nature contains many themes which became associated with the Symbolist aesthetic. In doing so, it broke from naturalism and became the ultimate example of decadent literature. Jean Des Esseintes is the last member of a powerful and once proud noble family. He has lived an extremely decadent life in Paris which has left him disgusted with human society. Without telling anyone, he absconds to a house in the countryside. He fills the house with his eclectic art collection and decides to spend the rest of his life in intellectual and aesthetic contemplation. Throughout his intellectual experiments, he recalls various debauched events and love affairs of his past in Paris.

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Autorenporträt
Charles-Marie-Georges Huysmans (5 February 1848 - 12 May 1907) was a French novelist and art critic who published his works as Joris-Karl Huysmans. He is most famous for the novel À Rebours (1884, published in English as Against the Grain or Against Nature). He supported himself by a 30-year career in the French civil service. Huysmans' work is considered remarkable for its idiosyncratic use of the French language, large vocabulary, descriptions, satirical wit and far-ranging erudition. First considered part of Naturalism, he became associated with the decadent movement with his publication of À Rebours. His work expressed his deep pessimism, which had led him to the philosophy of Arthur Schopenhauer. In later years, his novels reflected his study of Catholicism, religious conversion, and becoming an oblate. He discussed the iconography of Christian architecture at length in La cathédrale (1898), set at Chartres and with its cathedral as the focus of the book. Là-bas (1891), En Route (1895) and La Cathédrale (1898) are a trilogy that feature Durtal, an autobiographical character whose spiritual progress is tracked and who converts to Catholicism. In the novel that follows, L'Oblat (1903), Durtal becomes an oblate in a monastery, as Huysmans himself was in the Benedictine Abbey at Ligugé, near Poitiers, in 1901. La Cathédrale was his most commercially successful work. Its profits enabled Huysmans to retire from his civil service job and live on his royalties.