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Amateur Craft provides an illuminating and historically-grounded account of amateur craft in the modern era, from 19th century Sunday painters and amateur carpenters to present day railway modellers and yarnbombers. Stephen Knott's fascinating study explores the curious and unexpected attributes of things made outside standardised models of mass production, arguing that amateur craft practice is 'differential' - a temporary moment of control over work that both departs from and informs our productive engagement with the world.
Knott's discussion of the theoretical aspects of amateur craft
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Produktbeschreibung
Amateur Craft provides an illuminating and historically-grounded account of amateur craft in the modern era, from 19th century Sunday painters and amateur carpenters to present day railway modellers and yarnbombers. Stephen Knott's fascinating study explores the curious and unexpected attributes of things made outside standardised models of mass production, arguing that amateur craft practice is 'differential' - a temporary moment of control over work that both departs from and informs our productive engagement with the world.

Knott's discussion of the theoretical aspects of amateur craft practice is substantiated by historical case studies that cluster around the period 1850-1950. Looking back to the emergence of the modern amateur, he makes reference to contemporary art and design practice that harnesses or exploits amateur conditions of making. From Andy Warhol to Simon Starling, such artistic interest elucidates the mercurial qualities of amateur craft.

Invaluable for students and researchers in art and design, contemporary craft, material culture and social history, Amateur Craft counters both the marginalisation and the glorification of amateur craft practice. It is richly illustrated with 41 images, 14 in colour, including 19th century ephemera and works of contemporary art.
Autorenporträt
Stephen Knott is Director of the Crafts Study Centre in Farnham, a museum and research centre that is part of the University of the Creative Arts, UK. As a writer, researcher and lecturer in craft theory, design history and material culture, he has taught at Kingston University, UK and the Royal College of Art, UK and is one of the editors of The Journal of Modern Craft. He is author of Amateur Craft: History and Theory (Bloomsbury, 2015), and has written articles and reviews for Design and Culture, Performance Research, West 86th, Crafts and Craft Research. In 2018 he curated Tendenser at Galleri F15 in Moss, Norway, a showcase of contemporary craft and edited the accompanying catalogue, and was co-curator for Presence and Absence at the Crafts Study Centre (2021-22), an exhibition which responds to the lack of diversity within the Centre's collections.