Amateur Media (eBook, PDF)

Social, cultural and legal perspectives
Redaktion: Hunter, Dan; Thomas, Julian; Richardson, Megan; Lobato, Ramon

• Format: PDF

Produktbeschreibung

The rise of Web 2.0 has pushed the amateur to the forefront of public discourse, public policy and media scholarship. Typically non-salaried, non-specialist and untrained in media production, amateur producers are now seen as key drivers of the creative economy.

This edited collection provides a much-needed interdisciplinary contextualisation of amateur media before and after Web 2.0. Surveying the institutional, economic and legal construction of the amateur media producer via a series of case studies, it features contributions from experts in the fields of law, economics, media studies and literary studies based in the US and Australia.

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Produktdetails

• Verlag: Taylor & Francis
• Seitenzahl: 256
• Erscheinungstermin: 12. Oktober 2012
• Englisch
• ISBN-13: 9781136280801
• Artikelnr.: 38255445

Autorenporträt

Dan Hunter is a Professor of Law and Director of the Institute for Information Law & Policy at New York Law School. He is author of Oxford Introduction to US Law: Intellectual Property Ramon Lobato is a postdoctoral fellow with the ARC Centre of Excellence for Creative Industries and Innovation at the Institute for Social Research, Swinburne University of Technology. He is the author of Shadow Economies of Cinema: Mapping Informal Film Distribution. Megan Richardson is a Professor of Law and Joint Director of the Centre for Media and Communications Law at the University of Melbourne. She is co-author, with Julian Thomas, of Fashioning Intellectual Property: Exhibition, Advertising and the Press, 1789-1918 Julian Thomas is Professor of Media and Communications and Director, Swinburne Institute for Social Research, Swinburne University of Technology. He is co-author, with Megan Richardson, of Fashioning Intellectual Property: Exhibition, Advertising and the Press, 1789-1918.

Inhaltsangabe

Section I: Economic histories 1. Histories of user-generated content:
between formal and informal media economies 2. Competing myths of informal
economies 3. Start with the household Section II: Platform politics 4.
Amateur digital content and proportional commerce 5. YouTube and the
formalisation of amateur media 6. The relationship between user-generated
content and commerce Section III: Amateurs and authenticity 7. The
manufacture of 'authentic' buzz and the legal relations of MasterChef 8.
Harry Potter and the transformation wand: fair use, canonicity and fan
activity 9. The simulation of 'authentic' buzz: T-Mobile and the flash mob
dance Section IV: Cultural intermediaries 10. Prestige and
professionalisation at the margins of the journalistic field: the case of
music writers 11. Swedish subtitling strike called off! Fan-to-fan piracy,
translation, and the primacy of authorisation 12. Have amateur media
enhanced the possibilities for good media work? Section V: Property and
play 13. Minecraft as Web 2.0: amateur creativity and digital games 14.
Cosplay, creativity and immaterial labours of love 15. Web Zero: the
amateur and the indie game developer Section VI: Anonymity, identity and
publicity 16. Anonymous speech on the internet 17. The privacy interest in
anonymous blogging 18. 'Privacy' of social networking texts