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The book discusses the representation of Amazonian indigenous cultures in art and anthropological exhibitions through the analysis of a series of case studies of temporary exhibitions taking place in museums and biennials in Brazil, Europe and the United States spanning a period of 25 years from the mid-1980s. The book puts forward the concept of 'minor curating' as a strategy to amplify access to collections of historical relevance for indigenous peoples and to enable them to develop projects that are politically, historically and culturally meaningful for their own societies through curatorial authorship.…mehr
The book discusses the representation of Amazonian indigenous cultures in art and anthropological exhibitions through the analysis of a series of case studies of temporary exhibitions taking place in museums and biennials in Brazil, Europe and the United States spanning a period of 25 years from the mid-1980s. The book puts forward the concept of 'minor curating' as a strategy to amplify access to collections of historical relevance for indigenous peoples and to enable them to develop projects that are politically, historically and culturally meaningful for their own societies through curatorial authorship.
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Cinthya Lana is a researcher at the University of Gothenburg developing a project of digital repatriation of Brazilian collections from the Swedish Museum of World Cultures (Världskulturmuseet), as well as opening the collections for long-term research to indigenous students from the Amazonian region.
Inhaltsangabe
Abbreviations List of Figures Foreword Acknowledgements Introduction Chapter One, Primitivism and Magiciens: The Amazon in the Art World Chapter Two, Contemporary Cannibalisms: The 24th Bienal de São Paulo Chapter Three, The Hidden and the Unknown: Amazonian Exhibitions at the British Museum Chapter Four A Subdivided World: The Amazon in the Musée du quai Branly's Comparative Exhibitions Conclusion Notes References Index
Abbreviations List of Figures Foreword Acknowledgements Introduction Chapter One, Primitivism and Magiciens: The Amazon in the Art World Chapter Two, Contemporary Cannibalisms: The 24th Bienal de São Paulo Chapter Three, The Hidden and the Unknown: Amazonian Exhibitions at the British Museum Chapter Four A Subdivided World: The Amazon in the Musée du quai Branly's Comparative Exhibitions Conclusion Notes References Index
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