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"Nilsson studies the formal and stylistic 'devices' by which films signal to audiences that they are to be read as satire, thus asking the audience to participate in the generation of satirical meanings. The book is well-researched, well-written, and intelligently argued, and Nilsson raises a number of important questions that form the beginning of a more extensive critical discussion of this important topic." - M. Keith Booker, University of Arkansas, USA