Melvyn Stokes

eBook, PDF

American History through Hollywood Film (eBook, PDF)

From the Revolution to the 1960s

Beschreibung

American History through Hollywood Film offers a new perspective on major issues in American history from the 1770s to the end of the twentieth century and explores how they have been represented in film. Melvyn Stokes examines how and why representation has changed over time, looking at the origins, underlying assumptions, production, and reception of an important cross-section of historical films. Chapters deal with key events in American history including the American Revolution, the Civil War and its legacy, the Great Depression, and the anti-communism of the Cold War era. Major themes such as ethnicity, slavery, Native Americans and Jewish immigrants are covered and a final chapter looks at the way the 1960s and 70s have been dealt with by Hollywood. This book is essential reading for anyone studying American history and the relationship between history and film.

Technische Details

• Geräte: PC
• mit Kopierschutz
• Größe: 10.27MB

Barrierefreiheit

• Text-to-Speech

Autor

Melvyn Stokes is Professor of Film History, and Director of the AHRC-funded 'Cultural Memory and British Cinema-going of the 1960s' research project at University College London, UK. He has been a Visiting Fellow at Princeton, a Fulbright Exchange Professor at Mount Holyoke College and a Visiting Professor at the Ecole des Hautes Etudes en Sciences Sociales in Paris He has written and edited twelve books, including D.W. Griffith's 'The Birth of a Nation': A History of 'the Most Controversial Motion Picture of All Time' (2007). He is currently President of SERCIA, the European film organisation.

Produktdetails

• Verlag: Bloomsbury eBooks UK
• Seitenzahl: 272
• Erscheinungstermin: 5. Dezember 2013
• Englisch
• ISBN-13: 9781441177476
• Artikelnr.: 40117023

Rezensionen

American History through Hollywood Film is a very useful book. The range of topics and films covered, Stokes's knowledge, rigorous methodology, precise style and experience teaching this topic, make it an indispensable book for a class on American history in Hollywood cinema and a book that should be recommended as an example to all students writing theses or dissertations on the representation of history on film or the relationship between history and cinema. The overviews it offers on each point will provide a good starting point for any student or scholar interested in pursuing them. For all of these reasons, I cannot recommend Stokes's book enough. David Roche, Université Toulouse Jean Jaurès Cercles