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The first volume of Stanislavski's enduring trilogy on the art of acting defines the "System," a means of mastering the craft of acting and of stimulating the actor's individual creativeness and imagination.
The first volume of Stanislavski's enduring trilogy on the art of acting defines the "System," a means of mastering the craft of acting and of stimulating the actor's individual creativeness and imagination.
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Constantin Stanislavski died in 1938 and is the most influential person in actor training to date. As co-founder of the Moscow Art Theatre, he developed his theories of acting.
Inhaltsangabe
Note by the Translator 1. The First Test 2. When Acting is an Art 3. Action 4. Imagination 5. Concentration of Attention 6. Relaxation of Muscles 7. Units and Objectives 8. Faith and a Sense of Truth 9. Emotion Memory 10. Communion 11. Adaptation 12. Inner Motive Forces 13. The Unbroken Line 14. The Inner Creative State 15. The Super-Objective 16. On the Threshold of the Subconscious Index
1. The First Test 2. When Acting is an Art 3. Action 4. Imagination 5. Concentration of Attention 6. Relaxation of Muscles 7. Units and Objectives 8. Faith and a Sense of Truth 9. Emotion Memory 10. Communion 11. Adaptation 12. Inner Motive Forces 13. The Unbroken Line 14. The Inner Creative State 15. The Super-Objective 16. On the Threshold of the Subconscious Index
Note by the Translator 1. The First Test 2. When Acting is an Art 3. Action 4. Imagination 5. Concentration of Attention 6. Relaxation of Muscles 7. Units and Objectives 8. Faith and a Sense of Truth 9. Emotion Memory 10. Communion 11. Adaptation 12. Inner Motive Forces 13. The Unbroken Line 14. The Inner Creative State 15. The Super-Objective 16. On the Threshold of the Subconscious Index
1. The First Test 2. When Acting is an Art 3. Action 4. Imagination 5. Concentration of Attention 6. Relaxation of Muscles 7. Units and Objectives 8. Faith and a Sense of Truth 9. Emotion Memory 10. Communion 11. Adaptation 12. Inner Motive Forces 13. The Unbroken Line 14. The Inner Creative State 15. The Super-Objective 16. On the Threshold of the Subconscious Index
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