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Intermediate Diploma Thesis from the year 2004 in the subject American Studies - Culture and Applied Geography, grade: 2.0, Ruhr-University of Bochum (Philologie), course: American Expatriates in Paris, language: English, abstract: Nowadays, it has become quiet around various Hollywood genres of the Classic Period of cinema. In the time between both World Wars, and also soon after WWII, Hollywood filmmaking meant entertainment to a frustrated and humiliated world audience. Especially dance-comedy- and musical-genres became more picturesque, especially because of Technicolor, the plots less melodramatic and the actors followed a progressive and innovative typecast. Particularly the world of the Hollywood film musical opened up new possibilities when presenting a fictional world in their studios that enchanted an international audience. Hollywood spared no expenses and pains to explore particularly European capitals to promote a dream as well as their understanding of the American way. To which extent Hollywood created an image of Paris that gained acceptance with a global audience? And in how far can be said that American female stars changed their outer and inner appearance, in order not to correspond to obsolete Hollywood typecast. In my work I would like to give a better impression of what historically happened in American filmmaking, that glorified and idealized the French capital; and in French filmmaking, that searched for new themes, settings and individuals. In the first chapter a historical outline of the time from the 1920s onwards, as well as a brief introduction into the structures of the American- and French-film industry will illustrate to what extent Paris turned out to be an aesthetic and significant feature in motion pictures of that time. In the following it is of my concern to analyze the City of Light & Love and its international reputation. My analysis leads to one specific aspect of filmmaking – the divergence between the American female (stereo-) typology and European gender roles during the postwar years of the 50s and 60s. Audrey Hepburn serves as a well-known example, which is considered to be a representative for European subculture, French haute couture and American fairy-tale dreams. I try to illustrate in how far Audrey Hepburn changed the female image during a time in which anybody preferred blond femininity instead of brunette individuality. My aim is to find out how much Paris served as the ideological medium – both in French- and in Hollywood-filmmaking.