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This volume provides an overview of fundamental or 'grounding' themes in African Cultural Studies, including the articulation of African cultural studies, the issue of Africa's diaspora(s), African identity and identifications, and media studies in Africa and its relationship with cultural studies.
This volume provides an overview of fundamental or 'grounding' themes in African Cultural Studies, including the articulation of African cultural studies, the issue of Africa's diaspora(s), African identity and identifications, and media studies in Africa and its relationship with cultural studies.
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Autorenporträt
Keyan G. Tomaselli is Distinguished Professor, Dean's Office, Faculty of Humanities, University of Johannesburg, and Professor Emeritus and Fellow, University of KwaZulu-Natal. He is founder and now co-editor of Critical Arts. Handel Kashope Wright is Senior Advisor to the President on Anti-racism and Inclusive Excellence, Director of the Centre for Culture, Identity and Education and Professor of Education, University of British Columbia and Senior Research Associate, University of Johannesburg. He is also Associate Editor of Critical Arts.
Inhaltsangabe
An Introduction to African Cultural Studies 1. African Cultural Studies: An Overview 2. Negotiations, transitions and uncertainty principles: Critical Arts in the worlds of the post, Critical Arts 3. African cultural studies, cultural studies in Africa: How to make a useful difference 4.Would We Know African Cultural Studies If We Saw It?5. Cultural studies in Africa: Positioning difference 6. Wild seed: Africa and its many diasporas 7. African intellectuals in the belly of the beast: Migration, identity and the politics of African intellectuals in the North 8. Ships that will never sail: the paradox of Rastafari Pan-Africanism 9. Communicating Pan-Africanism: Caribbean leadership and global impact 10. Just kidding? Humour, rhetoric and racial inference in newsletters of a San Francisco Bay Area South African group 11. Notes on the (Im)Possibility of articulating continental African identity 12. That rare and random tribe: Albino identity in South Africa 13. A politics of blood: The 'white tribe' of Africa and the recombinant nationalism of a colonizing indigene 14. Middle-class matters, or, how to keep whites whiter, colours brighter, and blacks beautiful 15. Reflections on Trans & Taxonomy (with Neo Musangi) 16. Alter-egos: cultural and media studies 17. Capital or critique? When journalism education seeks to influence the field 18. Reuters and the South African press at the end of Empire 19. Broadcasting to the Portuguese Empire in Africa: Salazar's singular broadcasting policy 20. Paradigms in South African cinema research: Modernity, the New Africa Movement and Beyond
An Introduction to African Cultural Studies 1. African Cultural Studies: An Overview 2. Negotiations, transitions and uncertainty principles: Critical Arts in the worlds of the post, Critical Arts 3. African cultural studies, cultural studies in Africa: How to make a useful difference 4.Would We Know African Cultural Studies If We Saw It?5. Cultural studies in Africa: Positioning difference 6. Wild seed: Africa and its many diasporas 7. African intellectuals in the belly of the beast: Migration, identity and the politics of African intellectuals in the North 8. Ships that will never sail: the paradox of Rastafari Pan-Africanism 9. Communicating Pan-Africanism: Caribbean leadership and global impact 10. Just kidding? Humour, rhetoric and racial inference in newsletters of a San Francisco Bay Area South African group 11. Notes on the (Im)Possibility of articulating continental African identity 12. That rare and random tribe: Albino identity in South Africa 13. A politics of blood: The 'white tribe' of Africa and the recombinant nationalism of a colonizing indigene 14. Middle-class matters, or, how to keep whites whiter, colours brighter, and blacks beautiful 15. Reflections on Trans & Taxonomy (with Neo Musangi) 16. Alter-egos: cultural and media studies 17. Capital or critique? When journalism education seeks to influence the field 18. Reuters and the South African press at the end of Empire 19. Broadcasting to the Portuguese Empire in Africa: Salazar's singular broadcasting policy 20. Paradigms in South African cinema research: Modernity, the New Africa Movement and Beyond
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