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FIRST ACT
SCENE
The octagon room at Sir Robert Chiltern’s house in Grosvenor Square.
[The room is brilliantly lighted and full of guests.  At the top of the staircase stands lady chiltern, a woman of grave Greek beauty, about twenty-seven years of age.  She receives the guests as they come up.  Over the well of the staircase hangs a great chandelier with wax lights, which illumine a large eighteenth-century French tapestry—representing the Triumph of Love, from a design by Boucher—that is stretched on the staircase wall.  On the right is the entrance to the music-room.  The sound…mehr

Produktbeschreibung
FIRST ACT

SCENE

The octagon room at Sir Robert Chiltern’s house in Grosvenor Square.

[The room is brilliantly lighted and full of guests.  At the top of the staircase stands lady chiltern, a woman of grave Greek beauty, about twenty-seven years of age.  She receives the guests as they come up.  Over the well of the staircase hangs a great chandelier with wax lights, which illumine a large eighteenth-century French tapestry—representing the Triumph of Love, from a design by Boucher—that is stretched on the staircase wall.  On the right is the entrance to the music-room.  The sound of a string quartette is faintly heard.  The entrance on the left leads to other reception-rooms.  mrs. marchmont and lady basildon, two very pretty women, are seated together on a Louis Seize sofa.  They are types of exquisite fragility.  Their affectation of manner has a delicate charm.  Watteau would have loved to paint them.]

mrs. marchmont.  Going on to the Hartlocks’ to-night, Margaret?

lady basildon.  I suppose so.  Are you?

mrs. marchmont.  Yes.  Horribly tedious parties they give, don’t they?

lady basildon.  Horribly tedious!  Never know why I go.  Never know why I go anywhere.