Post-war taboos have forced fascist and national-socialist parties, politicians and their electorate to frequently code their exclusionary fascist rhetoric. This collection shows that an interdisciplinary critical approach to fascist text and talk-subsuming all instances of meaning-making (oral, visual, written, sounds, etc.) and genres such as policy documents, speeches, school books, media reporting, posters, songs, logos and other symbols-is necessary to deconstruct exclusionary meanings and to confront their inegalitarian political projects.
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