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Analysing the Screenplay (eBook, PDF)
Redaktion: Nelmes, Jill
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Analysing the Screenplay highlights the screenplay as an important form in itself, as opposed to merely being the first stage of the production process.
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Analysing the Screenplay highlights the screenplay as an important form in itself, as opposed to merely being the first stage of the production process.
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Produktdetails
- Produktdetails
- Verlag: Taylor & Francis
- Seitenzahl: 288
- Erscheinungstermin: 4. Oktober 2010
- Englisch
- ISBN-13: 9781136912450
- Artikelnr.: 43821464
- Verlag: Taylor & Francis
- Seitenzahl: 288
- Erscheinungstermin: 4. Oktober 2010
- Englisch
- ISBN-13: 9781136912450
- Artikelnr.: 43821464
Jill Nelmes is a senior lecturer at the University of East London, UK. Her research interests include gender and film, and screenwriting. She studied screenwriting at UCLA, has had a number of screenplays in development and was a script reader in Hollywood for over two years. Jill Nelmes is editor of The Journal of Scriptwriting and Introduction to Film Studies, currently in its 4th edition.
@contents: Selected Contents: List of Figures Notes on Contributors
Acknowledgements Permissions Chapter 1. Introduction Jill Nelmes Part I:
History of the form Chapter 2. Entertaining the Public Option: The Popular
Film Writing Movement and the Emergence of Writing for the American Silent
Cinema Torey Liepa Chapter 3. Screenwriters who Shaped the PreCode Woman
and their Struggle with Censorship Jule Selbo Chapter 4. Screenwriting in
Britain 1895-1929 Ian Macdonald Part II: Development, Craft and Process
Chapter 5. An Impossible Task? Scripting 'The Chilian Club' Andrew Spicer
Chapter 6. Boards, Beats, Binaries and Bricolage - Approaches to the
Animation Script Paul Wells Chapter 7. The Flexibility of Genre: The
Action-Adventure Film in 1939 Ken Dancyger Part III: Alternatives to the
conventional screenplay form Chapter 8. "Let the audience add 2 + 2 and
they'll love you forever": The screenplay as a self-teaching system Adam
Ganz Chapter 9. The Screenplay as Prototype Kathryn Millard Chapter 10. A
similar sense of time: the collaboration between writer Jon Raymond and
director Kelly Reichardt in Old Joy and Wendy and Lucy JJ Murphy Chapter
11. On Screenwriting Outside the West Sue Clayton Part IV: Theoretical and
Critical Approaches Chapter 12. Character in the Screenplay Text Steven
Price Chapter 13. Realism and Screenplay Dialogue Jill Nelmes Chapter 14.
Analysing the Screenplay: A Comparative Approach Mark O'Thomas Chapter 15.
Beyond McKee: Screenwriting In and Out of the Academy Barry Langford Index
Acknowledgements Permissions Chapter 1. Introduction Jill Nelmes Part I:
History of the form Chapter 2. Entertaining the Public Option: The Popular
Film Writing Movement and the Emergence of Writing for the American Silent
Cinema Torey Liepa Chapter 3. Screenwriters who Shaped the PreCode Woman
and their Struggle with Censorship Jule Selbo Chapter 4. Screenwriting in
Britain 1895-1929 Ian Macdonald Part II: Development, Craft and Process
Chapter 5. An Impossible Task? Scripting 'The Chilian Club' Andrew Spicer
Chapter 6. Boards, Beats, Binaries and Bricolage - Approaches to the
Animation Script Paul Wells Chapter 7. The Flexibility of Genre: The
Action-Adventure Film in 1939 Ken Dancyger Part III: Alternatives to the
conventional screenplay form Chapter 8. "Let the audience add 2 + 2 and
they'll love you forever": The screenplay as a self-teaching system Adam
Ganz Chapter 9. The Screenplay as Prototype Kathryn Millard Chapter 10. A
similar sense of time: the collaboration between writer Jon Raymond and
director Kelly Reichardt in Old Joy and Wendy and Lucy JJ Murphy Chapter
11. On Screenwriting Outside the West Sue Clayton Part IV: Theoretical and
Critical Approaches Chapter 12. Character in the Screenplay Text Steven
Price Chapter 13. Realism and Screenplay Dialogue Jill Nelmes Chapter 14.
Analysing the Screenplay: A Comparative Approach Mark O'Thomas Chapter 15.
Beyond McKee: Screenwriting In and Out of the Academy Barry Langford Index
@contents: Selected Contents: List of Figures Notes on Contributors
Acknowledgements Permissions Chapter 1. Introduction Jill Nelmes Part I:
History of the form Chapter 2. Entertaining the Public Option: The Popular
Film Writing Movement and the Emergence of Writing for the American Silent
Cinema Torey Liepa Chapter 3. Screenwriters who Shaped the PreCode Woman
and their Struggle with Censorship Jule Selbo Chapter 4. Screenwriting in
Britain 1895-1929 Ian Macdonald Part II: Development, Craft and Process
Chapter 5. An Impossible Task? Scripting 'The Chilian Club' Andrew Spicer
Chapter 6. Boards, Beats, Binaries and Bricolage - Approaches to the
Animation Script Paul Wells Chapter 7. The Flexibility of Genre: The
Action-Adventure Film in 1939 Ken Dancyger Part III: Alternatives to the
conventional screenplay form Chapter 8. "Let the audience add 2 + 2 and
they'll love you forever": The screenplay as a self-teaching system Adam
Ganz Chapter 9. The Screenplay as Prototype Kathryn Millard Chapter 10. A
similar sense of time: the collaboration between writer Jon Raymond and
director Kelly Reichardt in Old Joy and Wendy and Lucy JJ Murphy Chapter
11. On Screenwriting Outside the West Sue Clayton Part IV: Theoretical and
Critical Approaches Chapter 12. Character in the Screenplay Text Steven
Price Chapter 13. Realism and Screenplay Dialogue Jill Nelmes Chapter 14.
Analysing the Screenplay: A Comparative Approach Mark O'Thomas Chapter 15.
Beyond McKee: Screenwriting In and Out of the Academy Barry Langford Index
Acknowledgements Permissions Chapter 1. Introduction Jill Nelmes Part I:
History of the form Chapter 2. Entertaining the Public Option: The Popular
Film Writing Movement and the Emergence of Writing for the American Silent
Cinema Torey Liepa Chapter 3. Screenwriters who Shaped the PreCode Woman
and their Struggle with Censorship Jule Selbo Chapter 4. Screenwriting in
Britain 1895-1929 Ian Macdonald Part II: Development, Craft and Process
Chapter 5. An Impossible Task? Scripting 'The Chilian Club' Andrew Spicer
Chapter 6. Boards, Beats, Binaries and Bricolage - Approaches to the
Animation Script Paul Wells Chapter 7. The Flexibility of Genre: The
Action-Adventure Film in 1939 Ken Dancyger Part III: Alternatives to the
conventional screenplay form Chapter 8. "Let the audience add 2 + 2 and
they'll love you forever": The screenplay as a self-teaching system Adam
Ganz Chapter 9. The Screenplay as Prototype Kathryn Millard Chapter 10. A
similar sense of time: the collaboration between writer Jon Raymond and
director Kelly Reichardt in Old Joy and Wendy and Lucy JJ Murphy Chapter
11. On Screenwriting Outside the West Sue Clayton Part IV: Theoretical and
Critical Approaches Chapter 12. Character in the Screenplay Text Steven
Price Chapter 13. Realism and Screenplay Dialogue Jill Nelmes Chapter 14.
Analysing the Screenplay: A Comparative Approach Mark O'Thomas Chapter 15.
Beyond McKee: Screenwriting In and Out of the Academy Barry Langford Index