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Seminar paper from the year 2004 in the subject English Language and Literature Studies - Literature, grade: 2,0 (B), Humboldt-University of Berlin (Anglistics-American Studies), language: English, abstract: In my paper I will analyse the poem “The Rock of Cader Idris” (1822) by Felicia Dorothea Hemans and in this connection I chiefly confine myself to imagery, Hemans’ biographical background and some stylistic means. The procedure I planned is to analyse the ballad’s content with regard to the four substances earth, water, air and fire, to the senses of perception and to the persona’s…mehr

Produktbeschreibung
Seminar paper from the year 2004 in the subject English Language and Literature Studies - Literature, grade: 2,0 (B), Humboldt-University of Berlin (Anglistics-American Studies), language: English, abstract: In my paper I will analyse the poem “The Rock of Cader Idris” (1822) by Felicia Dorothea Hemans and in this connection I chiefly confine myself to imagery, Hemans’ biographical background and some stylistic means. The procedure I planned is to analyse the ballad’s content with regard to the four substances earth, water, air and fire, to the senses of perception and to the persona’s transformation from a passive observer to an active creator. I aim to show that the persona’s emotions can be attributed to natural objects and that nature or art respectively takes the role of a healer. Moreover, I would like to illustrate that Hemans knew her trade, namely writing poetry. Before starting I would like to mention that I did not want to say “it” when talking about the persona, so I decided to use “she” in order to stress that the poem was written by a woman and that the persona herself can be regarded as female, too, as I will show in the sequel.