Helen Stoddart

Angela Carter's Nights at the Circus (eBook, PDF)

A Routledge Study Guide

• Format: PDF

Produktbeschreibung

Surveying the many interpretations of this provocative text, this guide showcases a selection of new critical essays to present those beginning a detailed study of the novel, a way through the contextual and critical material that surrounds it.

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Produktdetails

• Verlag: Taylor & Francis
• Seitenzahl: 154
• Erscheinungstermin: 11. April 2007
• Englisch
• ISBN-13: 9781134269471
• Artikelnr.: 42981261

Autorenporträt

Helen Stoddart is a lecturer at Keele University. She is interested in research on the circus; its history, cultural influences and implications and, most particularly, its representation in other forms such as literature and cinema.

Inhaltsangabe

Introduction. Part 1: Nights at the Circus: Text and Contexts Angela
Carter: Biography and Writing. Forms of Writing. Academic Contexts.
Internationalism. Recognition. Britain: 1890s, 1960s and 1980s. Literary
Contexts and Beyond. Walter Benjamin and the 'Angel of History'. Michel
Foucault and the Panopticon. Laura Mulvey, Women and
'to-be-looked-at-ness'. Mikhail Bakhtin: The Carnivalesque and the
Grotesque. Postmodernism: Intertextuality, Bricolage, and Metafiction.
Magical Realism. Masquerade and the Performative Part 2: Critical History
Reviews. Gender, Feminism and the Carnivalesque. History and Politics.
Postmodernism. Genre: Picaresque and Gothic Part 3: Critical Readings
Metafiction, Magical Realism, and Myth. Postmodernism. Gender, Performance,
and Identity. Popular Culture, Carnival and Clowns. Further Reading.

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Introduction. Part 1: Nights at the Circus: Text and Contexts Angela Carter: Biography and Writing. Forms of Writing. Academic Contexts. Internationalism. Recognition. Britain: 1890s, 1960s and 1980s. Literary Contexts and Beyond. Walter Benjamin and the 'Angel of History'. Michel Foucault and the Panopticon. Laura Mulvey, Women and 'to-be-looked-at-ness'. Mikhail Bakhtin: The Carnivalesque and the Grotesque. Postmodernism: Intertextuality, Bricolage, and Metafiction. Magical Realism. Masquerade and the Performative Part 2: Critical History Reviews. Gender, Feminism and the Carnivalesque. History and Politics. Postmodernism. Genre: Picaresque and Gothic Part 3: Critical Readings Metafiction, Magical Realism, and Myth. Postmodernism. Gender, Performance, and Identity. Popular Culture, Carnival and Clowns. Further Reading.