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Expanding the scholarly conversation about Renaissance anonymity and attribution studies, this collection explores the phenomenon of anonymous publication in all its variety of methods and genres. The volume opens with essays investigating particular English texts and the inflection each genre gives to the issue of nameless authoring. Later chapters consider more abstract consequences of anonymity, including its function in destabilizing scholarly assumptions about authorship; its ethical ramifications; and its relationship to attribution studies.
Expanding the scholarly conversation about Renaissance anonymity and attribution studies, this collection explores the phenomenon of anonymous publication in all its variety of methods and genres. The volume opens with essays investigating particular English texts and the inflection each genre gives to the issue of nameless authoring. Later chapters consider more abstract consequences of anonymity, including its function in destabilizing scholarly assumptions about authorship; its ethical ramifications; and its relationship to attribution studies.
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Janet Wright Starner is associate professor of English at Wilkes University, USA Barbara Howard Traister is professor of English at Lehigh University, USA
Inhaltsangabe
Introduction Part 1 Anonymous Manuscript Poetry Chapter 1 Anonymity in Early Modern Manuscript Culture, Marcy L.North Chapter 2 "Jacke on Both Sides", Janet WrightStarner Part 2 Anonymous Printed Plays and Pamphlets Chapter 3 What Wrote Woodstock, ThomasCartelli Chapter 4 Dealing with Dramatic Anonymity, Barbara HowardTraister Chapter 5 Attributing Authorship and Swetnam the Woman-Hater, JamesPurkis Chapter 6 Was Anonymous a Jokester?, Susan GusheeO'Malley Part 3 The Consequences of Anonymity and Attribution Chapter 7 The Anonymous Shakespeare, BruceDanner Chapter 8 The Ethics of Anonymity, MarkRobson
Introduction Part 1 Anonymous Manuscript Poetry Chapter 1 Anonymity in Early Modern Manuscript Culture, Marcy L.North Chapter 2 "Jacke on Both Sides", Janet WrightStarner Part 2 Anonymous Printed Plays and Pamphlets Chapter 3 What Wrote Woodstock, ThomasCartelli Chapter 4 Dealing with Dramatic Anonymity, Barbara HowardTraister Chapter 5 Attributing Authorship and Swetnam the Woman-Hater, JamesPurkis Chapter 6 Was Anonymous a Jokester?, Susan GusheeO'Malley Part 3 The Consequences of Anonymity and Attribution Chapter 7 The Anonymous Shakespeare, BruceDanner Chapter 8 The Ethics of Anonymity, MarkRobson
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