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"Arden is to me a writer a bit like Shakespeare in approach, in that the writing not only has to convey...the dialogue of characters speaking together, but also has to carry the sense of the social environment and the texture of people's lives."
This second volume of John Arden's plays includes works from the 1960s. Armstrong's Last Goodnight, although set in 16th century Scotland, sheds new light on the experience of conscript soldiers at the tail end of colonialism in the 1960s; The Workhouse Donkey presents "not just a kaleidoscopic portrait of a living community; it also has the moral…mehr

Produktbeschreibung
"Arden is to me a writer a bit like Shakespeare in approach, in that the writing not only has to convey...the dialogue of characters speaking together, but also has to carry the sense of the social environment and the texture of people's lives."

This second volume of John Arden's plays includes works from the 1960s. Armstrong's Last Goodnight, although set in 16th century Scotland, sheds new light on the experience of conscript soldiers at the tail end of colonialism in the 1960s; The Workhouse Donkey presents "not just a kaleidoscopic portrait of a living community; it also has the moral uncertainty of life itself" (Michael Billington The Guardian). Left-handed Liberty anatomises the disintegration of the feudal system under King John; while The True History of Squire Jonathan and his Unfortunate Treasure and the radio play The Bagman are based on real incidents, personal and political in Arden's own life.

"Arden is a giant of modern playwriting. He writes on an epic scale that few have attained since, the plays tumble into action, and with vivid human response." (Dominic Dromgoole)

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Autorenporträt
John Arden (1930-2012) was a British dramatist, noted for his politically challenging and linguistically rich plays in the tradition of Brecht; he has written for radio and television as well as for the stage. After 1965 he collaborated on many works with his wife, the Irish playwright Margaretta D'Arcy.

Arden's first professionally produced play was a radio drama, The Life of Mars, broadcast in 1956. In the late 1950s Arden was associated with the Royal Court Theatre, where his stark anti-war play Serjeant Musgrave's Dance opened in 1959. The play was something of a commercial failure at the time, but has been frequently revived since. It was during the 1960s that Arden produced most of his major stage works; these include The Happy Haven (1960), The Workhouse Donkey (1963), which concerns municipal corruption in Arden's native Barnsley, Armstrong's Last Goodnight (1964), which drew parallels between contemporary political events in the Congo and machinations in medieval Scotland, and Left-Handed Liberty (1965).

In 1972 Arden and D'Arcy had a major argument with the RSC about the staging of their Arthurian play The Island of the Mighty. The argument culminated in Arden picketing the theatre and vowing that he would not write for the British stage again.

He settled in Galway, Ireland, in 1971. He was elected to Aosdána in 2011, a year before his death.