A clear-eyed and comprehensive history of feminist literary criticism. In a novel approach, the inquiry is structured around anthologies of feminist criticism: twelve important texts that have had a wide impact on more than a decade of scholarship. In reading an anthology as a whole, the author identifies a central, hegemonic voice which would organise all the voices into a unity, and then explores the resistance within that volume to such a unity. Weight is placed behind these internal differences as a wedge against the centrist drive.
This book brilliantly illuminates the dilemma of the feminist critic, divided by her allegiance to both feminism and literary studies.
This book brilliantly illuminates the dilemma of the feminist critic, divided by her allegiance to both feminism and literary studies.
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