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Andrey Shabanov's seminal reinterpretation of the Peredvizhniki is a comprehensive study that examines in-depth for the first time the organizational structure, self-representation, exhibitions, and critical reception of this 19th-century artistic partnership. Shabanov advances a more pragmatic reading of the Peredvizhniki, artists seeking professional and creative freedom in authoritarian Tsarist Russia. He likewise demonstrates and challenges how and why the group eventually came to be defined as a critically-minded Realist art movement. Unprecedentedly rich in new primary visual and textual…mehr
Andrey Shabanov's seminal reinterpretation of the Peredvizhniki is a comprehensive study that examines in-depth for the first time the organizational structure, self-representation, exhibitions, and critical reception of this 19th-century artistic partnership. Shabanov advances a more pragmatic reading of the Peredvizhniki, artists seeking professional and creative freedom in authoritarian Tsarist Russia. He likewise demonstrates and challenges how and why the group eventually came to be defined as a critically-minded Realist art movement. Unprecedentedly rich in new primary visual and textual sources, the book also connects afresh the Russian and Western art worlds of the period. A must-read for anyone interested in Russian art and culture, 19th-century European art, and also the history of art exhibitions, art movements, and the art market.
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Autorenporträt
Andrey Shabanov is a Research Fellow and Lecturer in the Department of Art History at the European University at Saint Petersburg, Russia. He is a contributor to the digital resource Bloomsbury Art Markets.
Inhaltsangabe
Acknowledgements Conventions Introduction Part One: The Peredvizhniki Represent Themselves Chapter 1. Commercial institutionalization 1870-1871 Chapter 2. Selling the exhibition 1871-1897 Chapter 3. Self-fashioning in group photographs 1886-1897 Chapter 4. Revealing the art manifesto 1888 Part Two: The Peredvizhniki in the Eyes of the Critics Chapter 5. Inaugural success: the first show 1871 Chapter 6. Split with the Academy: the fifth exhibition 1876 Chapter 7. Critical point: the eleventh twelfth and thirteenth shows 1883-1885 Chapter 8. Self-Defence: the Partnership's anniversary reports 1888 1897 Conclusion: The Peredvizhniki in a broader European context Appendices 1. Charter of the Partnership for Touring Art Exhibitions 1870 2. The Partnership's fifteenth-anniversary report 1888 3. The Partnership's twenty-fifth-anniversary report 1897 4. A list of the touring art exhibitions and statistics 1871-1923 Selected bibliography Index
Acknowledgements Conventions Introduction Part One: The Peredvizhniki Represent Themselves Chapter 1. Commercial institutionalization 1870-1871 Chapter 2. Selling the exhibition 1871-1897 Chapter 3. Self-fashioning in group photographs 1886-1897 Chapter 4. Revealing the art manifesto 1888 Part Two: The Peredvizhniki in the Eyes of the Critics Chapter 5. Inaugural success: the first show 1871 Chapter 6. Split with the Academy: the fifth exhibition 1876 Chapter 7. Critical point: the eleventh twelfth and thirteenth shows 1883-1885 Chapter 8. Self-Defence: the Partnership's anniversary reports 1888 1897 Conclusion: The Peredvizhniki in a broader European context Appendices 1. Charter of the Partnership for Touring Art Exhibitions 1870 2. The Partnership's fifteenth-anniversary report 1888 3. The Partnership's twenty-fifth-anniversary report 1897 4. A list of the touring art exhibitions and statistics 1871-1923 Selected bibliography Index
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