Art and Modernism in Socialist China (eBook, ePUB)
Unexplored International Encounters 1949-1979
Redaktion: Kong, Shuyu; Zheng, Shengtian; Andrews, Julia F.
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Art and Modernism in Socialist China (eBook, ePUB)
Unexplored International Encounters 1949-1979
Redaktion: Kong, Shuyu; Zheng, Shengtian; Andrews, Julia F.
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This edited volume will be the first book examining the art history of China's socialist period from the perspective of modernism, modernity, and global interactions.
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This edited volume will be the first book examining the art history of China's socialist period from the perspective of modernism, modernity, and global interactions.
Dieser Download kann aus rechtlichen Gründen nur mit Rechnungsadresse in A, B, BG, CY, CZ, D, DK, EW, E, FIN, F, GR, HR, H, IRL, I, LT, L, LR, M, NL, PL, P, R, S, SLO, SK ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Taylor & Francis
- Seitenzahl: 272
- Erscheinungstermin: 6. Juni 2024
- Englisch
- ISBN-13: 9781040029534
- Artikelnr.: 70188837
- Verlag: Taylor & Francis
- Seitenzahl: 272
- Erscheinungstermin: 6. Juni 2024
- Englisch
- ISBN-13: 9781040029534
- Artikelnr.: 70188837
- Herstellerkennzeichnung Die Herstellerinformationen sind derzeit nicht verfügbar.
Shuyu Kong is Professor of Chinese Studies and Co-director of the David Lam Centre for International Communication at Simon Fraser University. Julia F. Andrews is Distinguished University Professor Emerita at The Ohio State University. Shengtian Zheng is Adjunct Director of the Institute of Asian Art, Vancouver Art Gallery and Research Associate at Simon Fraser University.
Introduction Part I: Art Exchanges 1. Chile, China, Cuba: A Mural and
Beyond 2.Realism or Modernism? Exhibitions of Sessh¿ and Sino-Japanese
Artistic Exchanges in the 1950s 3. An Unpublicized Graduation Exhibition in
1962: Misalignments Impacting the Romanian Painting Class in China 4. A
Short-Lived Challenge to Socialist Realism: Francis Bacon, Lucian Freud and
Other British Artists in a Little Known 1960 Exhibition in China 5. "So Are
They Good Artists?": Context and Asymmetry in Postwar Sino-Italian Artistic
Exchanges 6. The Politics of Landscape Painting: Three International Art
Exhibitions in 1970s China Part II: Alternative Practices 7. "Creating A
New Era in the Twentieth Century": Huang Binhong (1865-1955) and Modern Art
during the Cold War 8.Tan Huamu's Pictorial Diaries in the Era of the New
China 9. A Battle between Two Paths of Art? Huang Xinbo and Modernism
during his Hong Kong Period 10. The Moving Image: Ye Qianyu, Dance and
Socialist Modernity in Art 11. Decorative Pictures: Zhang Ding and Chinese
Modernism in the 1960s 12. The Romanian Oil Painting Training Class and
Modernist Undercurrents in Chinese Art Education of the Socialist Period
Part III: Coda 13. Never forget Mao: The Monumental as Radical Universal
OR: The Making of a "Maoist Modern"
Beyond 2.Realism or Modernism? Exhibitions of Sessh¿ and Sino-Japanese
Artistic Exchanges in the 1950s 3. An Unpublicized Graduation Exhibition in
1962: Misalignments Impacting the Romanian Painting Class in China 4. A
Short-Lived Challenge to Socialist Realism: Francis Bacon, Lucian Freud and
Other British Artists in a Little Known 1960 Exhibition in China 5. "So Are
They Good Artists?": Context and Asymmetry in Postwar Sino-Italian Artistic
Exchanges 6. The Politics of Landscape Painting: Three International Art
Exhibitions in 1970s China Part II: Alternative Practices 7. "Creating A
New Era in the Twentieth Century": Huang Binhong (1865-1955) and Modern Art
during the Cold War 8.Tan Huamu's Pictorial Diaries in the Era of the New
China 9. A Battle between Two Paths of Art? Huang Xinbo and Modernism
during his Hong Kong Period 10. The Moving Image: Ye Qianyu, Dance and
Socialist Modernity in Art 11. Decorative Pictures: Zhang Ding and Chinese
Modernism in the 1960s 12. The Romanian Oil Painting Training Class and
Modernist Undercurrents in Chinese Art Education of the Socialist Period
Part III: Coda 13. Never forget Mao: The Monumental as Radical Universal
OR: The Making of a "Maoist Modern"
Introduction Part I: Art Exchanges 1. Chile, China, Cuba: A Mural and
Beyond 2.Realism or Modernism? Exhibitions of Sessh¿ and Sino-Japanese
Artistic Exchanges in the 1950s 3. An Unpublicized Graduation Exhibition in
1962: Misalignments Impacting the Romanian Painting Class in China 4. A
Short-Lived Challenge to Socialist Realism: Francis Bacon, Lucian Freud and
Other British Artists in a Little Known 1960 Exhibition in China 5. "So Are
They Good Artists?": Context and Asymmetry in Postwar Sino-Italian Artistic
Exchanges 6. The Politics of Landscape Painting: Three International Art
Exhibitions in 1970s China Part II: Alternative Practices 7. "Creating A
New Era in the Twentieth Century": Huang Binhong (1865-1955) and Modern Art
during the Cold War 8.Tan Huamu's Pictorial Diaries in the Era of the New
China 9. A Battle between Two Paths of Art? Huang Xinbo and Modernism
during his Hong Kong Period 10. The Moving Image: Ye Qianyu, Dance and
Socialist Modernity in Art 11. Decorative Pictures: Zhang Ding and Chinese
Modernism in the 1960s 12. The Romanian Oil Painting Training Class and
Modernist Undercurrents in Chinese Art Education of the Socialist Period
Part III: Coda 13. Never forget Mao: The Monumental as Radical Universal
OR: The Making of a "Maoist Modern"
Beyond 2.Realism or Modernism? Exhibitions of Sessh¿ and Sino-Japanese
Artistic Exchanges in the 1950s 3. An Unpublicized Graduation Exhibition in
1962: Misalignments Impacting the Romanian Painting Class in China 4. A
Short-Lived Challenge to Socialist Realism: Francis Bacon, Lucian Freud and
Other British Artists in a Little Known 1960 Exhibition in China 5. "So Are
They Good Artists?": Context and Asymmetry in Postwar Sino-Italian Artistic
Exchanges 6. The Politics of Landscape Painting: Three International Art
Exhibitions in 1970s China Part II: Alternative Practices 7. "Creating A
New Era in the Twentieth Century": Huang Binhong (1865-1955) and Modern Art
during the Cold War 8.Tan Huamu's Pictorial Diaries in the Era of the New
China 9. A Battle between Two Paths of Art? Huang Xinbo and Modernism
during his Hong Kong Period 10. The Moving Image: Ye Qianyu, Dance and
Socialist Modernity in Art 11. Decorative Pictures: Zhang Ding and Chinese
Modernism in the 1960s 12. The Romanian Oil Painting Training Class and
Modernist Undercurrents in Chinese Art Education of the Socialist Period
Part III: Coda 13. Never forget Mao: The Monumental as Radical Universal
OR: The Making of a "Maoist Modern"