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'Timely, informative, and well-structured this book provides a much needed comparison of the relationship between the state and the visual arts in the United States, Britain, Norway, Sweden, East Germany before the fall of Communism, and the Soviet Union. The authors convincingly argue that, regardless of political system, the state is everywhere 'deeply involved in art' and that 'the market alone prevails nowhere'...Art and the State constitutes important reading to all who are interested in the visual arts, in the history, sociology and anthropology of art, in cultural politics, heritage studies, arts management, museology, political science, and many other fields and topics.' - Barbro Klein, Professor of Ethnology, Director, Swedish Collegium for Advanced Study (SCASSS), Uppsala