Art History and Its Institutions (eBook, PDF)
The Nineteenth Century
Redaktion: Mansfield, Elizabeth
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Art History and Its Institutions (eBook, PDF)
The Nineteenth Century
Redaktion: Mansfield, Elizabeth
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Art History and Its Institutions focuses on the institutional discourses that shaped and continue to shape the field from its foundation in the nineteenth century.
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Art History and Its Institutions focuses on the institutional discourses that shaped and continue to shape the field from its foundation in the nineteenth century.
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Produktdetails
- Produktdetails
- Verlag: Taylor & Francis
- Seitenzahl: 352
- Erscheinungstermin: 18. August 2005
- Englisch
- ISBN-13: 9781134585038
- Artikelnr.: 42687206
- Verlag: Taylor & Francis
- Seitenzahl: 352
- Erscheinungstermin: 18. August 2005
- Englisch
- ISBN-13: 9781134585038
- Artikelnr.: 42687206
- Herstellerkennzeichnung Die Herstellerinformationen sind derzeit nicht verfügbar.
Elizabeth Mansfield
PART I: PUTTING ART HISTORY IN ITS PLACE 1. Art History and Modernism
Elizabeth Mansfield 2. Hearing the Unsaid: Art History, Museology, and the
Composition of the Self Donald Preziosi 3. From Boullee to Bilbao: The
Museum as Utopian Space Andrew McClellan 4. Marburg, Harvard and
Purpose-Built Architecture for Art History Kathryn Bush 5. Viollet-le-Duc
and Taine at the Ecole des Beaux Arts: On the First Professorship of Art
History in France Philip Hotchkiss Walsh 6. Colonizing Culture: The Origins
of Art History in Australia Jacqueline Strecker PART II: INSTITUTING A
CANON: PLACING THE CENTER AND MARGINS OF ART HISTORY 7. Deep Innovation and
Mere Eccentricity: Six Case Studies of Innovation in Art History David
Carrier 8. The Taste of Angels in the Art of Darkness: Fashioning the Canon
of African Art Christopher B Steiner 9. Tradesmen as Scholars:
Interdependencies in the Study and Exchange of Art Ivan Gaskell 10. How
Canons Disappear: The Case of Henri Regnault Marc Gottlieb 11. Using Art
History: The Louvre and its Public Persona, 1848-52 Gabriel Weisberg 12.
Silent Movies: On Excluding the Ethnographic Subject from the Discourse of
Art Claire Farago 13. Art History on the Academic Fringe: Taine's
Philosophy of Art Mary Morton PART III: THE PRACTICE OF ART HISTORY:
DISCOURSE AND METHOD AS INSTITUTION 14. For Connoisseurs: The Burlington
Magazine, 1903-1911 Helen Rees Leahy 15. Photographic Perspectives:
Photography and the Institutional Formation of Art History Frederick N.
Bohrer 15. Instituting Genius: The Formation of Biographical Art History in
France Greg M. Thomas 16. A Preponderance of Practical Problems: The
History of Art in the United States Between 1886 and 1888 Eric Rosenberg
17. Emancipation and the Freed in American Sculpture: Race, Representation
and the Beginnings of African-American Art History Steven Nelson
Elizabeth Mansfield 2. Hearing the Unsaid: Art History, Museology, and the
Composition of the Self Donald Preziosi 3. From Boullee to Bilbao: The
Museum as Utopian Space Andrew McClellan 4. Marburg, Harvard and
Purpose-Built Architecture for Art History Kathryn Bush 5. Viollet-le-Duc
and Taine at the Ecole des Beaux Arts: On the First Professorship of Art
History in France Philip Hotchkiss Walsh 6. Colonizing Culture: The Origins
of Art History in Australia Jacqueline Strecker PART II: INSTITUTING A
CANON: PLACING THE CENTER AND MARGINS OF ART HISTORY 7. Deep Innovation and
Mere Eccentricity: Six Case Studies of Innovation in Art History David
Carrier 8. The Taste of Angels in the Art of Darkness: Fashioning the Canon
of African Art Christopher B Steiner 9. Tradesmen as Scholars:
Interdependencies in the Study and Exchange of Art Ivan Gaskell 10. How
Canons Disappear: The Case of Henri Regnault Marc Gottlieb 11. Using Art
History: The Louvre and its Public Persona, 1848-52 Gabriel Weisberg 12.
Silent Movies: On Excluding the Ethnographic Subject from the Discourse of
Art Claire Farago 13. Art History on the Academic Fringe: Taine's
Philosophy of Art Mary Morton PART III: THE PRACTICE OF ART HISTORY:
DISCOURSE AND METHOD AS INSTITUTION 14. For Connoisseurs: The Burlington
Magazine, 1903-1911 Helen Rees Leahy 15. Photographic Perspectives:
Photography and the Institutional Formation of Art History Frederick N.
Bohrer 15. Instituting Genius: The Formation of Biographical Art History in
France Greg M. Thomas 16. A Preponderance of Practical Problems: The
History of Art in the United States Between 1886 and 1888 Eric Rosenberg
17. Emancipation and the Freed in American Sculpture: Race, Representation
and the Beginnings of African-American Art History Steven Nelson
PART I: PUTTING ART HISTORY IN ITS PLACE 1. Art History and Modernism
Elizabeth Mansfield 2. Hearing the Unsaid: Art History, Museology, and the
Composition of the Self Donald Preziosi 3. From Boullee to Bilbao: The
Museum as Utopian Space Andrew McClellan 4. Marburg, Harvard and
Purpose-Built Architecture for Art History Kathryn Bush 5. Viollet-le-Duc
and Taine at the Ecole des Beaux Arts: On the First Professorship of Art
History in France Philip Hotchkiss Walsh 6. Colonizing Culture: The Origins
of Art History in Australia Jacqueline Strecker PART II: INSTITUTING A
CANON: PLACING THE CENTER AND MARGINS OF ART HISTORY 7. Deep Innovation and
Mere Eccentricity: Six Case Studies of Innovation in Art History David
Carrier 8. The Taste of Angels in the Art of Darkness: Fashioning the Canon
of African Art Christopher B Steiner 9. Tradesmen as Scholars:
Interdependencies in the Study and Exchange of Art Ivan Gaskell 10. How
Canons Disappear: The Case of Henri Regnault Marc Gottlieb 11. Using Art
History: The Louvre and its Public Persona, 1848-52 Gabriel Weisberg 12.
Silent Movies: On Excluding the Ethnographic Subject from the Discourse of
Art Claire Farago 13. Art History on the Academic Fringe: Taine's
Philosophy of Art Mary Morton PART III: THE PRACTICE OF ART HISTORY:
DISCOURSE AND METHOD AS INSTITUTION 14. For Connoisseurs: The Burlington
Magazine, 1903-1911 Helen Rees Leahy 15. Photographic Perspectives:
Photography and the Institutional Formation of Art History Frederick N.
Bohrer 15. Instituting Genius: The Formation of Biographical Art History in
France Greg M. Thomas 16. A Preponderance of Practical Problems: The
History of Art in the United States Between 1886 and 1888 Eric Rosenberg
17. Emancipation and the Freed in American Sculpture: Race, Representation
and the Beginnings of African-American Art History Steven Nelson
Elizabeth Mansfield 2. Hearing the Unsaid: Art History, Museology, and the
Composition of the Self Donald Preziosi 3. From Boullee to Bilbao: The
Museum as Utopian Space Andrew McClellan 4. Marburg, Harvard and
Purpose-Built Architecture for Art History Kathryn Bush 5. Viollet-le-Duc
and Taine at the Ecole des Beaux Arts: On the First Professorship of Art
History in France Philip Hotchkiss Walsh 6. Colonizing Culture: The Origins
of Art History in Australia Jacqueline Strecker PART II: INSTITUTING A
CANON: PLACING THE CENTER AND MARGINS OF ART HISTORY 7. Deep Innovation and
Mere Eccentricity: Six Case Studies of Innovation in Art History David
Carrier 8. The Taste of Angels in the Art of Darkness: Fashioning the Canon
of African Art Christopher B Steiner 9. Tradesmen as Scholars:
Interdependencies in the Study and Exchange of Art Ivan Gaskell 10. How
Canons Disappear: The Case of Henri Regnault Marc Gottlieb 11. Using Art
History: The Louvre and its Public Persona, 1848-52 Gabriel Weisberg 12.
Silent Movies: On Excluding the Ethnographic Subject from the Discourse of
Art Claire Farago 13. Art History on the Academic Fringe: Taine's
Philosophy of Art Mary Morton PART III: THE PRACTICE OF ART HISTORY:
DISCOURSE AND METHOD AS INSTITUTION 14. For Connoisseurs: The Burlington
Magazine, 1903-1911 Helen Rees Leahy 15. Photographic Perspectives:
Photography and the Institutional Formation of Art History Frederick N.
Bohrer 15. Instituting Genius: The Formation of Biographical Art History in
France Greg M. Thomas 16. A Preponderance of Practical Problems: The
History of Art in the United States Between 1886 and 1888 Eric Rosenberg
17. Emancipation and the Freed in American Sculpture: Race, Representation
and the Beginnings of African-American Art History Steven Nelson