Gillian Mciver

Art History for Filmmakers (eBook, PDF)

The Art of Visual Storytelling

• Format: PDF

Produktbeschreibung

Since cinema's earliest days, literary adaptation has provided the movies with stories; and so we use literary terms like metaphor, metonymy and synecdoche to describe visual things. But there is another way of looking at film, and that is through its relationship with the visual arts - mainly painting, the oldest of the art forms.

Art History for Filmmakers is an inspiring guide to how images from art can be used by filmmakers to establish period detail, and to teach composition, color theory and lighting. The book looks at the key moments in the development of the Western painting, and how these became part of the Western visual culture from which cinema emerges, before exploring how paintings can be representative of different genres, such as horror, sex, violence, realism and fantasy, and how the images in these paintings connect with cinema.

Insightful case studies explore the links between art and cinema through the work of seven high-profile filmmakers, including Peter Greenaway, Peter Webber, Jack Cardiff, Martin Scorsese, Guillermo del Toro, Quentin Tarantino and Stan Douglas. A range of practical exercises are included in the text, which can be carried out singly or in small teams.

Featuring stunning full-color images, Art History for Filmmakers provides budding filmmakers with a practical guide to how images from art can help to develop their understanding of the visual language of film.

Produktdetails

• Verlag: Bloomsbury UK eBooks
• Seitenzahl: 256
• Erscheinungstermin: 10. März 2016
• Englisch
• ISBN-13: 9781472580665
• Artikelnr.: 46760027

Autorenporträt

Gillian McIver studied History at the University of Toronto, Canada and completed a PhD in Art History and Cinema at the University of Roehampton, UK. She makes films, curates exhibitions and screenings, and ran a gallery in East London. She has lectured at Central St Martins, The National Film and Television School, and the University for the Creative Arts, UK. She is the author of Art History for Filmmakers (Bloomsbury 2016).

Inhaltsangabe

Introduction What is art history and how does it relate to cinema history?
How is art history useful for filmmakers?
Painting as a record of what the past looked like in the imagination of artists
Painting and the use of visual language
A brief linear (traditional) history of art
Towards an "alternative" history of art Chapter 1: Visual Culture and Storytelling Narrative and storytelling in art
Narrative in painting and cinema
Case study: William Hogarth's The Rake's Progress,and Darren Aronofsky's Requiem for a Dream
Exercise
Discussion questions Chapter 2: Creating the Visual - Perspective, Colour and Lighting A brief history of perspective
Colour theory and colour psychology
How to use light
Case Study: Rembrandt, and Peter Greenaway's The Cook, the Thief, His Wife and Her Lover and Nightwatching
Exercise
Discussion questions Chapter 3: Realism in Visual Art Realism
What is representation?
Art after photography: Modern conceptions of realism in art
Case study: Johannes Vermeer, and Peter Webber's The Girl with the Pearl Earring (DoP Eduardo Serra)
Exercise
Discussion questions Chapter 4: Beyond Realism Fantasy worlds in cinema and art
Oneiric: The world of dreams
Surrealism
Going beyond the real
Case study: Jack Cardiff (DoP) and A Matter of Life and Death (dir. Michael Powell and Emeric Pressburger)
Exercise
Discussion questions Chapter 5: Sex and Violence Sex
Violence
Case study: Caravaggio, and Martin Scorsese's Taxi Driver
Exercise
Discussion questions Chapter 6: Horror From dream to nightmare
Monsters
Case study: Francisco Goya, and Guillermo del Toro's Pan's Labyrinth and Pacific Rim
Exercise
Discussion questions Chapter 7: Landscape What is landscape painting?
The Western
Case study: Albert Beirstadt, Andrew Wyeth, and Ed Harris's Appaloosa. Exercise
Discussion questions Chapter 8: History and Heroism History painting: Victory, virtue, and the hero
Case study: Quentin Tarantino's Diango Unchained and Gainsborough's Blue Boy
Exercise
Discussion questions Chapter 9: Modern Movements Expressionism
Minimalism
Beyond Western culture
Case study: Katsushika Hokusai and Disney
Cinema as contemporary art
Exercise
Discussion questions Chapter 10: Conclusion - Using art history in film-making Film-making roles and art
Case study: Terrence Malick, Nestor Almendros and Andrew Wyeth (Days of Heaven)
Case study: Conrad Hall, Sam Mendes and Edward Hopper (Road to Perdition)
Case study: Wally Pfister, Christopher Nolan and MC Escher (Inception)