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This work provides a landmark in early twentieth century publishing summarizing the most up to date findings in all branches of the social sciences at a formative time and during a period of decisive historical discovery.
This work provides a landmark in early twentieth century publishing summarizing the most up to date findings in all branches of the social sciences at a formative time and during a period of decisive historical discovery.
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Autorenporträt
W. Deonna, A. de Ridder
Inhaltsangabe
Introduction Schema 1: The Aim of Greek Art. Art and the City I: The Artist and the Public. Tradition II: The Useful and the Beautiful 1 III: Art and Religion 1 IV: Art and the Political Constitution 1 V: Art and Historical Events VI: Art and Social Rank 1 VII: Art and Manners 1 VIII: Art, its Civic Teaching. Social Rôle of the Artist IX: Transformation in the Social Character of Greek Art 2: Agents for the Practical Application of Artistic Aims. Groups of Artists and Artistic Personalities I: Ethnic Groups II: Ionian Art 1 III: Dorian Art 1 IV: Reconciliation of the Two Tendencies V: Attic Art VI: Local Schools VII: Artistic Individualities 1 3: Realization. Technical Problems I: The Various Branches of Art and the Choice of Material II: Pose III: Anatomy 1 IV: Drapery V: The Analytic and Synthetic View. Harmony, Rhythm, "Symmetria," Proportion, Composition 1 VI: Distance and Atmosphere as they Affect the Appearance of Things. Chiaroscuro, Modelling, Perspective 1 VII: The Ideal and its Evolution VIII: Some Aspects of the Greek Ideal IX: Evolution of the Ideal X: From the Earliest Days to the End of the 6th Century. Elaboration of Technique and Ideal XI: The 5th Century. Technical Mastery, Idealism XII: The 4th Century. Beginnings of Realism 1 XIII: The Hellenistic Period. Apogee of Realism 1 XIV: The Decline. Exhaustion of Creative Powers XV: Conclusion
Introduction Schema 1: The Aim of Greek Art. Art and the City I: The Artist and the Public. Tradition II: The Useful and the Beautiful 1 III: Art and Religion 1 IV: Art and the Political Constitution 1 V: Art and Historical Events VI: Art and Social Rank 1 VII: Art and Manners 1 VIII: Art, its Civic Teaching. Social Rôle of the Artist IX: Transformation in the Social Character of Greek Art 2: Agents for the Practical Application of Artistic Aims. Groups of Artists and Artistic Personalities I: Ethnic Groups II: Ionian Art 1 III: Dorian Art 1 IV: Reconciliation of the Two Tendencies V: Attic Art VI: Local Schools VII: Artistic Individualities 1 3: Realization. Technical Problems I: The Various Branches of Art and the Choice of Material II: Pose III: Anatomy 1 IV: Drapery V: The Analytic and Synthetic View. Harmony, Rhythm, "Symmetria," Proportion, Composition 1 VI: Distance and Atmosphere as they Affect the Appearance of Things. Chiaroscuro, Modelling, Perspective 1 VII: The Ideal and its Evolution VIII: Some Aspects of the Greek Ideal IX: Evolution of the Ideal X: From the Earliest Days to the End of the 6th Century. Elaboration of Technique and Ideal XI: The 5th Century. Technical Mastery, Idealism XII: The 4th Century. Beginnings of Realism 1 XIII: The Hellenistic Period. Apogee of Realism 1 XIV: The Decline. Exhaustion of Creative Powers XV: Conclusion
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