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This work provides a landmark in early twentieth century publishing summarizing the most up to date findings in all branches of the social sciences at a formative time and during a period of decisive historical discovery.
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This work provides a landmark in early twentieth century publishing summarizing the most up to date findings in all branches of the social sciences at a formative time and during a period of decisive historical discovery.
Dieser Download kann aus rechtlichen Gründen nur mit Rechnungsadresse in A, B, BG, CY, CZ, D, DK, EW, E, FIN, F, GR, HR, H, IRL, I, LT, L, LR, M, NL, PL, P, R, S, SLO, SK ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Taylor & Francis eBooks
- Seitenzahl: 436
- Erscheinungstermin: 4. Juli 2013
- Englisch
- ISBN-13: 9781136196140
- Artikelnr.: 39189536
- Verlag: Taylor & Francis eBooks
- Seitenzahl: 436
- Erscheinungstermin: 4. Juli 2013
- Englisch
- ISBN-13: 9781136196140
- Artikelnr.: 39189536
- Herstellerkennzeichnung Die Herstellerinformationen sind derzeit nicht verfügbar.
W. Deonna, A. de Ridder
Introduction
Schema
1: The Aim of Greek Art. Art and the City
I: The Artist and the Public. Tradition
II: The Useful and the Beautiful 1
III: Art and Religion 1
IV: Art and the Political Constitution 1
V: Art and Historical Events
VI: Art and Social Rank 1
VII: Art and Manners 1
VIII: Art, its Civic Teaching. Social Rôle of the Artist
IX: Transformation in the Social Character of Greek Art
2: Agents for the Practical Application of Artistic Aims. Groups of Artists and Artistic Personalities
I: Ethnic Groups
II: Ionian Art 1
III: Dorian Art 1
IV: Reconciliation of the Two Tendencies
V: Attic Art
VI: Local Schools
VII: Artistic Individualities 1
3: Realization. Technical Problems
I: The Various Branches of Art and the Choice of Material
II: Pose
III: Anatomy 1
IV: Drapery
V: The Analytic and Synthetic View. Harmony, Rhythm, "Symmetria," Proportion, Composition 1
VI: Distance and Atmosphere as they Affect the Appearance of Things. Chiaroscuro, Modelling, Perspective 1
VII: The Ideal and its Evolution
VIII: Some Aspects of the Greek Ideal
IX: Evolution of the Ideal
X: From the Earliest Days to the End of the 6th Century. Elaboration of Technique and Ideal
XI: The 5th Century. Technical Mastery, Idealism
XII: The 4th Century. Beginnings of Realism 1
XIII: The Hellenistic Period. Apogee of Realism 1
XIV: The Decline. Exhaustion of Creative Powers
XV: Conclusion
Schema
1: The Aim of Greek Art. Art and the City
I: The Artist and the Public. Tradition
II: The Useful and the Beautiful 1
III: Art and Religion 1
IV: Art and the Political Constitution 1
V: Art and Historical Events
VI: Art and Social Rank 1
VII: Art and Manners 1
VIII: Art, its Civic Teaching. Social Rôle of the Artist
IX: Transformation in the Social Character of Greek Art
2: Agents for the Practical Application of Artistic Aims. Groups of Artists and Artistic Personalities
I: Ethnic Groups
II: Ionian Art 1
III: Dorian Art 1
IV: Reconciliation of the Two Tendencies
V: Attic Art
VI: Local Schools
VII: Artistic Individualities 1
3: Realization. Technical Problems
I: The Various Branches of Art and the Choice of Material
II: Pose
III: Anatomy 1
IV: Drapery
V: The Analytic and Synthetic View. Harmony, Rhythm, "Symmetria," Proportion, Composition 1
VI: Distance and Atmosphere as they Affect the Appearance of Things. Chiaroscuro, Modelling, Perspective 1
VII: The Ideal and its Evolution
VIII: Some Aspects of the Greek Ideal
IX: Evolution of the Ideal
X: From the Earliest Days to the End of the 6th Century. Elaboration of Technique and Ideal
XI: The 5th Century. Technical Mastery, Idealism
XII: The 4th Century. Beginnings of Realism 1
XIII: The Hellenistic Period. Apogee of Realism 1
XIV: The Decline. Exhaustion of Creative Powers
XV: Conclusion
Introduction
Schema
1: The Aim of Greek Art. Art and the City
I: The Artist and the Public. Tradition
II: The Useful and the Beautiful 1
III: Art and Religion 1
IV: Art and the Political Constitution 1
V: Art and Historical Events
VI: Art and Social Rank 1
VII: Art and Manners 1
VIII: Art, its Civic Teaching. Social Rôle of the Artist
IX: Transformation in the Social Character of Greek Art
2: Agents for the Practical Application of Artistic Aims. Groups of Artists and Artistic Personalities
I: Ethnic Groups
II: Ionian Art 1
III: Dorian Art 1
IV: Reconciliation of the Two Tendencies
V: Attic Art
VI: Local Schools
VII: Artistic Individualities 1
3: Realization. Technical Problems
I: The Various Branches of Art and the Choice of Material
II: Pose
III: Anatomy 1
IV: Drapery
V: The Analytic and Synthetic View. Harmony, Rhythm, "Symmetria," Proportion, Composition 1
VI: Distance and Atmosphere as they Affect the Appearance of Things. Chiaroscuro, Modelling, Perspective 1
VII: The Ideal and its Evolution
VIII: Some Aspects of the Greek Ideal
IX: Evolution of the Ideal
X: From the Earliest Days to the End of the 6th Century. Elaboration of Technique and Ideal
XI: The 5th Century. Technical Mastery, Idealism
XII: The 4th Century. Beginnings of Realism 1
XIII: The Hellenistic Period. Apogee of Realism 1
XIV: The Decline. Exhaustion of Creative Powers
XV: Conclusion
Schema
1: The Aim of Greek Art. Art and the City
I: The Artist and the Public. Tradition
II: The Useful and the Beautiful 1
III: Art and Religion 1
IV: Art and the Political Constitution 1
V: Art and Historical Events
VI: Art and Social Rank 1
VII: Art and Manners 1
VIII: Art, its Civic Teaching. Social Rôle of the Artist
IX: Transformation in the Social Character of Greek Art
2: Agents for the Practical Application of Artistic Aims. Groups of Artists and Artistic Personalities
I: Ethnic Groups
II: Ionian Art 1
III: Dorian Art 1
IV: Reconciliation of the Two Tendencies
V: Attic Art
VI: Local Schools
VII: Artistic Individualities 1
3: Realization. Technical Problems
I: The Various Branches of Art and the Choice of Material
II: Pose
III: Anatomy 1
IV: Drapery
V: The Analytic and Synthetic View. Harmony, Rhythm, "Symmetria," Proportion, Composition 1
VI: Distance and Atmosphere as they Affect the Appearance of Things. Chiaroscuro, Modelling, Perspective 1
VII: The Ideal and its Evolution
VIII: Some Aspects of the Greek Ideal
IX: Evolution of the Ideal
X: From the Earliest Days to the End of the 6th Century. Elaboration of Technique and Ideal
XI: The 5th Century. Technical Mastery, Idealism
XII: The 4th Century. Beginnings of Realism 1
XIII: The Hellenistic Period. Apogee of Realism 1
XIV: The Decline. Exhaustion of Creative Powers
XV: Conclusion