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This book has a rather long-winding history. It is not like anything else the present author ever wrote, as all the rest is theoretical economics in a d- tinctively mathematical dress. For the emergence of the following pages, there are several people, - cept the author, who are to have the credit, or perhaps the blame. Around 1985, the department of economics at Umeå University in the North of S- den was visited by Professor William Hendon, Editor of the Journal of C- tural Economics. In my capacity of chairman of the department I invited him to a social lunch. We soon realized that we did…mehr

Produktbeschreibung
This book has a rather long-winding history. It is not like anything else the present author ever wrote, as all the rest is theoretical economics in a d- tinctively mathematical dress. For the emergence of the following pages, there are several people, - cept the author, who are to have the credit, or perhaps the blame. Around 1985, the department of economics at Umeå University in the North of S- den was visited by Professor William Hendon, Editor of the Journal of C- tural Economics. In my capacity of chairman of the department I invited him to a social lunch. We soon realized that we did not have much in terms of common research interests to talk about. However, somebody at the - partment later informed him that I also used to make copies of historical musical instruments during my free hours, so, once back in the US, he asked me to write an article for his journal, comparing the making of mathematical models to the making musical instruments. I thought the idea was absolutely crazy, but could not help start thinking about it now and then, so five years later I actually contributed a paper called "On the unity of the arts, crafts, and sciences".
Autorenporträt
Tõnu Puu is a Swedish economist of Estonian descent. Puu worked as acting full professor of Economics at Uppsala University 1963-1970, where he received his Ph.D. and was appointed ordinary Professor of Economics by Royal patent at Umeå University in 1971. After emeritation in 2001, he works as senior professor at the Centre for Regional Science (CERUM). In 2014 he was awarded the Doctor Jubilaris of Uppsala University. Puu has published over 20 books and 120 scholarly articles in economics, philosophy and mathematics. Topics studied include portfolio selection, investment and production, philosophy of science (in collaboration with Sir Karl Popper), spatial economics, economics of the arts, nonlinear dynamic processes, oligopoly and business cycles. Puu was Founder and Director 1987-2001 of the Nordic Baroque Music Festival and received in that capacity the Prize for extraordinary promotion of culture, awarded by the county government. Other musical interests are playing theviola da gamba, and being a "luthier", making his own instruments.