4,99 €
4,99 €
inkl. MwSt.
Sofort per Download lieferbar
payback
0 °P sammeln
4,99 €
4,99 €
inkl. MwSt.
Sofort per Download lieferbar

Alle Infos zum eBook verschenken
payback
0 °P sammeln
Als Download kaufen
4,99 €
inkl. MwSt.
Sofort per Download lieferbar
payback
0 °P sammeln
Jetzt verschenken
4,99 €
inkl. MwSt.
Sofort per Download lieferbar

Alle Infos zum eBook verschenken
payback
0 °P sammeln
  • Format: ePub

The overarching goal of As Long As They Can Blow is to show the mutual respect that black and white jazz musicians had for each other and how a shared love of the music and the relative privacy of the recording studio resulted in hundreds of early interracial jazz recordings.
The book doesn't fall into any single genre. At its heart is the first discography of these sessions ever put together and a concise list that can be used for quick access to those sessions. There is a brief history of the recording industry, with an emphasis on how the industry dealt with the question of race, as well…mehr

  • Geräte: eReader
  • mit Kopierschutz
  • eBook Hilfe
  • Größe: 0.74MB
Produktbeschreibung
The overarching goal of As Long As They Can Blow is to show the mutual respect that black and white jazz musicians had for each other and how a shared love of the music and the relative privacy of the recording studio resulted in hundreds of early interracial jazz recordings.

The book doesn't fall into any single genre. At its heart is the first discography of these sessions ever put together and a concise list that can be used for quick access to those sessions. There is a brief history of the recording industry, with an emphasis on how the industry dealt with the question of race, as well as a list of formal and informal interactivity between black and white jazz musicians outside the recording studio. Finally, there is a piece in the voice of Mezz Mezzrow and one in the voice of Eddie Condon, both of whom were active in interracial sessions. The facts are there, but the author uses techniques of creative non-fiction to put them into story form.


Dieser Download kann aus rechtlichen Gründen nur mit Rechnungsadresse in A, B, CY, CZ, D, DK, EW, E, FIN, F, GR, H, IRL, I, LT, L, LR, M, NL, PL, P, R, S, SLO, SK ausgeliefert werden.

Autorenporträt
Stephen Provizer is a musician (brass) who has been writing about jazz since the 1990's. His work can be found in publications like Coda, Downbeat, Syncopated Times, AllAboutJazz.com, Forward, Artsfuse.org and at his blogs--interracialjazz.com and brilliantcornersbostonjazz.blogspot.com