Asian Sound Cultures (eBook, ePUB)
Voice, Noise, Sound, Technology
Redaktion: Haukamp, Iris; Smith, Martyn; Hoene, Christin
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Asian Sound Cultures (eBook, ePUB)
Voice, Noise, Sound, Technology
Redaktion: Haukamp, Iris; Smith, Martyn; Hoene, Christin
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This book examines the meanings, uses, and agency of voice, noise, sound, and sound technologies across Asia.
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This book examines the meanings, uses, and agency of voice, noise, sound, and sound technologies across Asia.
Dieser Download kann aus rechtlichen Gründen nur mit Rechnungsadresse in A, B, BG, CY, CZ, D, DK, EW, E, FIN, F, GR, HR, H, IRL, I, LT, L, LR, M, NL, PL, P, R, S, SLO, SK ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Taylor & Francis
- Seitenzahl: 310
- Erscheinungstermin: 22. August 2022
- Englisch
- ISBN-13: 9781000686883
- Artikelnr.: 65153469
- Verlag: Taylor & Francis
- Seitenzahl: 310
- Erscheinungstermin: 22. August 2022
- Englisch
- ISBN-13: 9781000686883
- Artikelnr.: 65153469
- Herstellerkennzeichnung Die Herstellerinformationen sind derzeit nicht verfügbar.
Iris Haukamp is Associate Professor in Japanese Film at Tokyo University of Foreign Studies, Japan. Christin Hoene is Assistant Professor in Literary Studies at Maastricht University, Netherlands. Martyn David Smith is a historian of modern and contemporary Japan and Lecturer in Japanese Studies at the University of Sheffield, UK.
Part 1: The politics of voice 1. The phonographic politics of 'corporeal
voice': Speech recordings for imperial subjectification and wartime
mobilization in colonial Taiwan and Korea 2. In dark times: Poetic
dissonance in the Thai-Malay borderlands 3. Sonic aesthetics and social
disparity: The voice of villains in Ryoo Seung-wan's Veteran (2015) and
The Unjust (2010) Part 2: Modern noise 4. Aesthetic ruptures and
sociabilities: Tateyama Noboru (1876-1926), quotidian noise, and
s¿kyoku-jiuta 5. The 'hell of modern sound': A history of urban noise in
modern Japan 6. Feel the power of my exoticism: Japanese noise music and
claims of a distinct Japanese sound Part 3: Sound and power 7. Listening to
the talkies: Atarashiki tsuchi's (1937) acoustic construction of Japan for
western consumption 8. Recovering the lost Cantonese sounds in pre-handover
Hong Kong: Sinophone politics in Dung Kai-cheung's 'The Rise and Fall of
Wing Shing Street' (1995) 9. When the looms stop, the baby cries: The
changing sounds of the Kyoto kimono-making industry Part 4: Technology and
imperialism 10. Early radio in late colonial India: Historiography,
geography, audiences 11. (Re) Diffusion of beautiful sound: Chinese
broadcast in post-war Bangkok 12. Arranging sounds from daily life: Amateur
sound-recording contests and audio culture in Japan in the 1960s and 1970s
13. The dual fate of the twin horn in Thailand: From United States
anti-communist weapon to the Phetchabun processional bands' sound system
voice': Speech recordings for imperial subjectification and wartime
mobilization in colonial Taiwan and Korea 2. In dark times: Poetic
dissonance in the Thai-Malay borderlands 3. Sonic aesthetics and social
disparity: The voice of villains in Ryoo Seung-wan's Veteran (2015) and
The Unjust (2010) Part 2: Modern noise 4. Aesthetic ruptures and
sociabilities: Tateyama Noboru (1876-1926), quotidian noise, and
s¿kyoku-jiuta 5. The 'hell of modern sound': A history of urban noise in
modern Japan 6. Feel the power of my exoticism: Japanese noise music and
claims of a distinct Japanese sound Part 3: Sound and power 7. Listening to
the talkies: Atarashiki tsuchi's (1937) acoustic construction of Japan for
western consumption 8. Recovering the lost Cantonese sounds in pre-handover
Hong Kong: Sinophone politics in Dung Kai-cheung's 'The Rise and Fall of
Wing Shing Street' (1995) 9. When the looms stop, the baby cries: The
changing sounds of the Kyoto kimono-making industry Part 4: Technology and
imperialism 10. Early radio in late colonial India: Historiography,
geography, audiences 11. (Re) Diffusion of beautiful sound: Chinese
broadcast in post-war Bangkok 12. Arranging sounds from daily life: Amateur
sound-recording contests and audio culture in Japan in the 1960s and 1970s
13. The dual fate of the twin horn in Thailand: From United States
anti-communist weapon to the Phetchabun processional bands' sound system
Part 1: The politics of voice 1. The phonographic politics of 'corporeal
voice': Speech recordings for imperial subjectification and wartime
mobilization in colonial Taiwan and Korea 2. In dark times: Poetic
dissonance in the Thai-Malay borderlands 3. Sonic aesthetics and social
disparity: The voice of villains in Ryoo Seung-wan's Veteran (2015) and
The Unjust (2010) Part 2: Modern noise 4. Aesthetic ruptures and
sociabilities: Tateyama Noboru (1876-1926), quotidian noise, and
s¿kyoku-jiuta 5. The 'hell of modern sound': A history of urban noise in
modern Japan 6. Feel the power of my exoticism: Japanese noise music and
claims of a distinct Japanese sound Part 3: Sound and power 7. Listening to
the talkies: Atarashiki tsuchi's (1937) acoustic construction of Japan for
western consumption 8. Recovering the lost Cantonese sounds in pre-handover
Hong Kong: Sinophone politics in Dung Kai-cheung's 'The Rise and Fall of
Wing Shing Street' (1995) 9. When the looms stop, the baby cries: The
changing sounds of the Kyoto kimono-making industry Part 4: Technology and
imperialism 10. Early radio in late colonial India: Historiography,
geography, audiences 11. (Re) Diffusion of beautiful sound: Chinese
broadcast in post-war Bangkok 12. Arranging sounds from daily life: Amateur
sound-recording contests and audio culture in Japan in the 1960s and 1970s
13. The dual fate of the twin horn in Thailand: From United States
anti-communist weapon to the Phetchabun processional bands' sound system
voice': Speech recordings for imperial subjectification and wartime
mobilization in colonial Taiwan and Korea 2. In dark times: Poetic
dissonance in the Thai-Malay borderlands 3. Sonic aesthetics and social
disparity: The voice of villains in Ryoo Seung-wan's Veteran (2015) and
The Unjust (2010) Part 2: Modern noise 4. Aesthetic ruptures and
sociabilities: Tateyama Noboru (1876-1926), quotidian noise, and
s¿kyoku-jiuta 5. The 'hell of modern sound': A history of urban noise in
modern Japan 6. Feel the power of my exoticism: Japanese noise music and
claims of a distinct Japanese sound Part 3: Sound and power 7. Listening to
the talkies: Atarashiki tsuchi's (1937) acoustic construction of Japan for
western consumption 8. Recovering the lost Cantonese sounds in pre-handover
Hong Kong: Sinophone politics in Dung Kai-cheung's 'The Rise and Fall of
Wing Shing Street' (1995) 9. When the looms stop, the baby cries: The
changing sounds of the Kyoto kimono-making industry Part 4: Technology and
imperialism 10. Early radio in late colonial India: Historiography,
geography, audiences 11. (Re) Diffusion of beautiful sound: Chinese
broadcast in post-war Bangkok 12. Arranging sounds from daily life: Amateur
sound-recording contests and audio culture in Japan in the 1960s and 1970s
13. The dual fate of the twin horn in Thailand: From United States
anti-communist weapon to the Phetchabun processional bands' sound system