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  • Format: ePub

I wrote this book because during my studies of Astronomy at U.C. Berkeley (earning an Sc.D. in the field), most of what was taught involved the discoveries of historical Astronomers; nothing about their private lives. Consequently, you'll learn about the scientists and their backgrounds. The scientists in this book are only a few of the numerous who have made monumental contributions to the fields of astronomy, physics, cosmology, astrophysics, and so on.
My hope is that after reading the personal stories of these scientists, you will gain a burning desire to discover more about the
…mehr

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Produktbeschreibung
I wrote this book because during my studies of Astronomy at U.C. Berkeley (earning an Sc.D. in the field), most of what was taught involved the discoveries of historical Astronomers; nothing about their private lives. Consequently, you'll learn about the scientists and their backgrounds. The scientists in this book are only a few of the numerous who have made monumental contributions to the fields of astronomy, physics, cosmology, astrophysics, and so on.

My hope is that after reading the personal stories of these scientists, you will gain a burning desire to discover more about the countless other scientists, and their contributions to the aforementioned fields.

Perhaps, you will be the next great
contributor to these fields, or at least, you'll look up to the night sky, and ask the question that I asked as a toddler:

"I wonder what else is up there that I cannot see?"


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Autorenporträt
Prof. Robert Stewart is a retired clandestine operative who was recruited, while a student at U.C. Berkeley, into a special program for humans with Paranormal gifts. His fields of expertise are child extraction from cults, world religions, science, and the Occult. Musician was his deep cover or camouflage life.

Prof. Robert Stewart is a multi-instrumentalist (saxophones, piano, flute, drum, vocals, etc.), composer, and producer. His two major label albums ("The Force" and "In the Gutta") were for Quincy Jones and Qwest/Warner Bros. records. He is known for his unique personal sound and remarkably inventive improvisations declares Los Angeles Times journalist Bill Kohlhaase, as the lead tenor saxophonist on the Pulitzer Prize winning "Blood on the Fields" by trumpeter Wynton Marsalis, and as the protegé of saxophonist Pharoah Sanders. Jazz critic Jason Ankeny declared Stewart to be one of the most impressive jazz saxophonists to emerge at the end of the 20th century. Drummer Billy Higgins refers to Stewart as "perhaps the most important young artist to come along in decades