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All the design and development inspiration and direction an audio engineer needs in one blockbuster book! Douglas Self has selected the very best sound engineering design material from the Focal and Newnes portfolio and complied it into this volume.
All the design and development inspiration and direction an audio engineer needs in one blockbuster book! Douglas Self has selected the very best sound engineering design material from the Focal and Newnes portfolio and complied it into this volume.
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Autorenporträt
Douglas Self
Inhaltsangabe
Part I PART I Basics Chapter 1 Fundamentals of Audio and Acoustics Chapter 2 Introduction to Hearing Part II PART II Microphones Chapter 3 Basic Sound Transmission and Operational Forces on Microphones Chapter 4 CHAPTER 4 Electrical Considerations and Electronic Interface, JohnEargle Part III PART III Preamplifiers, Mixers, and Interconnects Chapter 5 CHAPTER 5 Mixers, FrancisRumsey, TimMcCormick Chapter 6 CHAPTER 6 Transmission Techniques: Wire and Cable Chapter 7 Grounding and Interfacing, Bill Whitlock Part IV PART IV Power Amplifiers Chapter 8 CHAPTER 8 Power Amplifier Architecture and Negative Feedback Chapter 9 CHAPTER 9 The General Principles of Power Amplifiers Chapter 10 Chapter 10 Class-G Power amplifiers Part V PART V Loudspeakers Chapter 11 What is a Loudspeaker? Chapter 12 CHAPTER 12 Diversity of Design Chapter 13 Chapter 13 Loudspeaker Cabinets Chapter 14 Crossovers Part VI PART VI Digital Audio Chapter 15 DSP Technology Chapter 16 CHAPTER 16 MIDI Part VII Acoustics and Sound Reinforcement Chapter 17 Large Room Acoustics, Don Davis, Carolyn Davis Chapter 18 CHAPTER 18 Sound System Equalization Chapter 19 Reflections, Images, and the Precedence Effect Part VIII Recording Studios Chapter 20 CHAPTER 20 Sound Isolation Chapter 21 Chapter 21 The Studio Environment Index
Part I PART I Basics Chapter 1 Fundamentals of Audio and Acoustics Chapter 2 Introduction to Hearing Part II PART II Microphones Chapter 3 Basic Sound Transmission and Operational Forces on Microphones Chapter 4 CHAPTER 4 Electrical Considerations and Electronic Interface, JohnEargle Part III PART III Preamplifiers, Mixers, and Interconnects Chapter 5 CHAPTER 5 Mixers, FrancisRumsey, TimMcCormick Chapter 6 CHAPTER 6 Transmission Techniques: Wire and Cable Chapter 7 Grounding and Interfacing, Bill Whitlock Part IV PART IV Power Amplifiers Chapter 8 CHAPTER 8 Power Amplifier Architecture and Negative Feedback Chapter 9 CHAPTER 9 The General Principles of Power Amplifiers Chapter 10 Chapter 10 Class-G Power amplifiers Part V PART V Loudspeakers Chapter 11 What is a Loudspeaker? Chapter 12 CHAPTER 12 Diversity of Design Chapter 13 Chapter 13 Loudspeaker Cabinets Chapter 14 Crossovers Part VI PART VI Digital Audio Chapter 15 DSP Technology Chapter 16 CHAPTER 16 MIDI Part VII Acoustics and Sound Reinforcement Chapter 17 Large Room Acoustics, Don Davis, Carolyn Davis Chapter 18 CHAPTER 18 Sound System Equalization Chapter 19 Reflections, Images, and the Precedence Effect Part VIII Recording Studios Chapter 20 CHAPTER 20 Sound Isolation Chapter 21 Chapter 21 The Studio Environment Index
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